I have always loved the B-side of records or cassettes, being let in on the secret/unreleased or more unexpected strangeness that awaited from artists. The B-side, in its essence, offers a singular delight in a promise that you, the audience, will not (or may not) be able to recreate the experience the B-side offers anywhere else. It says welcome, stay here a while, and put it on repeat.
In the spirit of the B-side, The Texas Review asked contributors of the All-Essay Issue (Vol. 40, #3/#4, 2020) to contribute essays to a B-side compilation. We want to offer, here, a moment of singular delight as accompanied unexpected strangeness or echo location or dancing and braided conversation in conjunction to the contributors’ essays featured in the All-Essay Issue.
Please enjoy the following B-sides by: Mary-Kim Arnold; Piper J. Daniels and Nicole McCarthy; Lily Hoang; Vincent James; Michael Martone; Ander Monson; Katrina Otuonye; Danielle Pafunda; Monica Prince; Addie Tsai; Julie Marie Wade; and Nicole Walker.
Thank you (and genuflection) to all of the contributors featured in our pages: Danielle Pafunda; Sejal Shah; Addie Tsai; Thirii Myo Kyaw Myint; Temim Fruchter; Raquel Gutiérrez, Muriel Leung; Monica Prince; Ander Monson; Janice Lee; Piper J. Daniels; Camellia-Berry Grass; Wendy C. Ortiz; SJ Sindu; Dinty W. Moore; Michael Martone; Lily Hoang; Nicole Walker; Mary-Kim Arnold; Katrina Otuonye; Vincent James; Julie Marie Wade; Caroline Crew; Diana Khoi Nguyen.
Thank you to Ander Monson for giving us the space of Essay Daily, and as ever thank you to Nick Lantz, Editor of The Texas Review.
Welcome, stay here a while, and put it on repeat.
The essays will begin tomorrow.
—Katie Jean Shinkle, Guest Editor, The Texas Review
If you would like to order a copy of the All-Essay Issue: http://www.thetexasreview.org/issues/