Thursday, July 5, 2018

July 5: Ander Monson • Jennifer Gravley • Jeannie Roberts • Mark Neely • Jill Christman • Alison Deming • Ella Neely • Henry Neely • Sandra J Lindow • Emma Thomason


Today we present ten more dispatches from June 21, 2018 to you. More details on the project here, but, in brief, we asked you to write about what happened on one day in June, and are publishing the results, largely unedited, for the next month and change, roughly ten a day. If you wrote something (it's not too late!), send us your work ASAP via this submission form (it's okay if you didn't RSVP before: the more the merrier).

—The Editors




July 5: Ander Monson • Jennifer Gravley • Jeannie E. Roberts • Mark Neely • Jill Christman • Alison Deming • Ella P. Neely • Henry Neely • Sandra J Lindow • Emma Thomason






ANDER MONSON

Up at 6:30 to the screams of Athena who’s freaking out because Toulouse (boy cat, 15) chewed up her “paper bag” during the night, to which, well, yeah, that’s kinda what you get for leaving it on the floor, we told her, which didn’t help. No idea why this mattered, but it did not seem like a strong way to start the longest day of the year. I think she took his chewing somehow as a personal affront, since she’s been trying to befriend him after the recent death of Napoleon, by far her favorite of our cats. Lucky for her he’s an easy lover: before we left she was tossing treats his way and chortling.
     It’s 84 degrees out at 7:30am which is dispiriting but typical in its relentlessness. Stepping outside is a grinding punishing but we have to have the intense heat to bring in the monsoon (and to remind me that there is an endurable downside to our beautiful winters: without some suffering how does one enjoy anything?). Knowing this doesn’t stop the fact of the heat and sun from its demoralizing work. There is virtually no part of the day that will shelter you this month.
     I’m reminded that my fitbit tracks some daily data automatically, paying a kind of attention without me having to, so at least I’ll have that data to report if nothing else. The high in Tucson today will be 107, five degrees cooler than yesterday (112), which tells you something about what we mean by heat. Sunset here will be at 7:34, and every time I think about summer sunset in Tucson I’m reminded of how long June days were in Michigan (in Grand Rapids the sun goes down today at 9:26pm; in Houghton at 9:54pm). Here the differential between sundowns in December and June is only about 2 hours; in Houghton it’s about 5 hours. Stupid latitude.
     Walking A into school I notice my toenail polish is chipped. I have a little vanity—not much—about it, but I won’t get around to doing anything about the situation for another week. Hey, but noticing is a kind of doing, and it’s the doing I’m supposed to be today, so here I am, noticing. I tell Athena I’ll pick her up after lunch.
     I send out a reminder to our (333—!—at the time of this writing) collaborators on the June 21 project. The email generates a couple auto-replies that I briefly misperceive as important email. Maybe they are important email. An embarrassing percentage of my days consists of reading or responding to notifications of one sort or another, often “important email”, which suggests that “important” may not always be the most accurate word.
     I really don’t want “what happened today” to be an account of my emails.
     Cicadas and sun though. Their metallic duets.
     Silence between air conditioner cycles though.
     At least an hour elapses with me noting no data.
     Then a moment of frustration when I’m trying to pay a little bit of sustained attention to something, and every device I have starts going off: cell phone pings texts of good news (birthdays, engagements), and I a friend calls to backchannel about potential red flags about a possible job candidate. Work email. Work email. Work email. Rooster (girl cat, 17) rubbing against my leg and lobbying hard for feeding. She’s a skinny animal. Received a prognosis of “she has a month to live” 26 months ago, and I thought we’d lose her a couple times since then, but she’s still going hard in the paint for which she has my respect, and so I feed her anytime she wants, which has the result you’d expect, with her figuring this out and hitting the stimulus button as often as she can. Napoleon was her younger sibling. I wonder to what degree she misses him. He died two weeks ago, which was hard for all of us, and I don’t know how to talk about it much less write about it without feeling like a chump. With old animals, time feels more acute.
     Reminded of this line from the Silver Jews: “Time is a game only children play well.” It’s in a seemingly-throwaway song (“How Can I Love You if You Won’t Lie Down?”) but it lands.
     Text from Verizon that my bill is paid. Why does Verizon text me that my bill is paid? I feel possessive of this particular mode of notification I try to reserve for friends and family. Why does an automatic confirmation feel as invasive as it does?
     Biweekly email from the university system reminding every employee to turn in your time cards or whatever. Can’t they disambiguate the hourly employees from the salaried? I always feel a little guilty like there’s something else I should be doing, usually because there’s something else I should be doing. Try not to get into a paralytic loop about it though.
     Watching Argentina get pantsed by Croatia and trading texts with another friend, the ex of a friend I texted with earlier, about the spectacle. I don’t mention either to the other. Sad to see Peru’s run end, though, earlier, but I have Mexico to cheer for, so there’s that.
     A little truck roar comes from down the block. Today is recycling day, which is good news for Athena. For the kids at school, who line up to watch, the recycling truck’s progress through the neighborhood is an event, proof of order, I suppose, in the world. I forget how meaningful / magical these systems are to them and how routine they are to me. Trying to explain the plumbing and sewer system to her I was newly reminded of how incredibly complex these systems are. I had to stop.
     The act of paying attention reminds me of how much slips beneath my attention. And it’s an eroding feeling I’m feeling the more I pay attention to it. How much of it is like Wile E. Coyote, running out over air and not falling until he notices?
     Are you feeling that slipping feeling too? Maybe it’s better not to notice at all.
     I go for a nowhere run. The treadmill feels even less like something happening than running outside does. If work is force times distance, then what is accomplished is nothing: force expended, no (actual) distance covered. It’s a strange thought, but running outside in Tucson in June requires a different kind of commitment to bodily discomfort, which I try to do a couple days a week, and more if I see some clouds, but I won’t today.
     A day is made of many subroutines: commuting, toilet, pet attention, pet feeding, child attention, online reading, online feeding, inbox outbox, social media, submissions and contest manuscript reading. Fitbit poking me to get off my ass: broooooooo! getttt upppp. Corresponding.
     Like most days this day’s made of swathes of attention and swathes of inattention. Text arrives from Albert Goldbarth, who complains about the boringness of his day, which he is duly chronicling. It’s not the subject, man, it’s the mind we’re interested in!
     Twitter’s not always just an echo chamber or irritant. For instance: from it I find the news that today is also #NationalSelfieDay (quelle coincidence!)
     Is paying attention to the world a kind of selfie? In writing “what happens” are we necessarily manifesting a self, creating a system? Probably.
     Does paying attention to what happens on a day treat the page—or the human mind—like an undeveloped piece of film? Is that even a metaphor that will make sense to anyone? (When was the last time you got physical film developed?)
     The metaphors we use for the self or mind mirror the technologies of the time (mind as computer, for instance). The more closely they mirror the moment the less we think about what else they imply.
     Retrieve Athena from school. We go to Target and buy some shit. Come home. She eats a massive solid chocolate bunny leftover from Easter. Sure, I say, go nuts, which she does. She has a paper plane she brought home that she tells me a long story about. Esther wanted this plane, she explains, but I took it while she was sleeping. How do you think she’ll feel, I ask, when she wakes up and finds it gone? Bad probably, she says. How bad will she feel, she asks. I don’t know, I said. She wanted to play with it when we played with them. But I got to pick first which plane to bring home, she says. It’s purple which is probably why, but I suspect that Esther’s feeling bad was not an unwelcome outcome.
     Her paper airplane, though, is nice and sleek, even if she doesn’t know how to launch it. I make her a few more, but her teacher’s chops are way past mine, and my planes suck but fly, so there’s that.
     Watching drone footage of my hometown in Michigan after getting a 100-year rainstorm (6 inches in less than 24 hours: unheard of my whole life). Main thoroughfares are just wiped out. I find a gofundme for the Michigan Historical Society and Archive, which has flood damage, and I kick in a couple hundred bucks. You should too.
     Noticing that my noticing (at least as serves this project) is highly attenuated as I’m in full parent mode. Big gaps in what I remember or make a note of. Story of the last four years. This is not news to a large percentage of the population, though as usual I’m a little late to the conclusion.
     It’s rest time for Athena but I’m the one who’s exhausted. Chocolate milk. Some snack that I forget (probably pretzel sticks or Chex mix, from which she only likes the melba toasts). I read her a couple books, including an old Clifford one that’s pretty bad. It’s about how awesome her big-ass dog Clifford is, in which the protagonist ends up grandstanding shamelessly in front of her friend, a fact not really more than nodded at in the book (also the logistics of the giant dog are…gross to contemplate). One of the weirdest things about the Clifford books is how little the books are interested in consequences of any sort, which may be why they’re so appealing. The dogs never receive their comeuppance for trashing a worksite, for instance, and causing what must be hundreds of thousands of dollars in damage and almost getting one or more of their friends killed.
     One of Athena’s stuffed cats has a “vet appointment.” We go on a hunt to find her vet tools so she can administer treatments of various efficacies to the animals during rest time. I don’t comment on the quality of her quackery.
     56 minutes pass relatively restfully. I send some emails.
     She is in my office now.
     “How many minutes are left?”
     “2”
     “Can I skip the 2 minutes”
     “You can skip the 2 minutes”
     “Okay, let’s look for basketball keychains!”
     Which we do (don’t ask). More snack provisioning. Then time in the pool, which we like a lot. Megan doesn’t particularly enjoy the “swimming” which mostly consists of Athena molesting and capsizing me, but it suits me fine. It’s beautiful outside to be in the pool in June: the heat recedes, at least under the sun shade. It feels deluxe and unbelievable that things can be this bright and cool and beautiful. Leads to a lovely moment: floating in the pool, shielded from the sun, considering the sky: blue, palm trees-framed. No clouds. Neighborhood sound. From here the sun seems like a feature, not a flaw, a benevolent god. In an hour I’ll feel differently, but until then it’s sublime! Would I have noticed it if I wasn’t on noticing duty?
     I’m not moving into another house in a better school district (a consideration for the next year) unless it has a pool.
     Megan emerged from work while we were in the pool. We rinse off, and Megan cuts up potatoes and rosemary for the grill. Not a fancy meal but it is a good one.
     The gap between the end of dinner (the salmon went bad in the fridge which we only realized after cooking it: thought it was just a little bonus smelly; note to self: Megan is always better than me at catching this; just listen to her next time instead of relying on my manly intuition and my duller senses; luckily for Athena, for whom it is a fav, we had backup salmon, honey-smoked from Costco. It’s fantastic) and then bedtime. Cleaning, dishes, washing, watering plants to get them through the extreme heat until it starts raining in a couple weeks. Athena watches some insane and colorful Japanese-animated show in the cool inside.
     Thought about taking Athena to see the 12,000 bats under the bridge at the Pantano Wash, but she seemed beat before sundown, so I figured I’d punt that to another day. Her toy cats Ginger and Frank each brushed their teeth, then she brushed her teeth. Read four books. She’s been revisiting “books we haven’t read in a long time,” which is an opportunity to bring back some neglected winners. Tonight: Penguin Problems, one that I can’t remember now, and Press Here (twice). Press Here is fantastic, a stroke of genius. Penguin Problems I used not to like, but it’s grown on me.
     Ordered a box of Affresh washing machine tabs and a copy of Bernadette Mayer’s Midwinter Day, a project much in keeping with our own What Happened On June 21th, on the recommendation of my friend Susan.
     Fitbit stats for the day as of 10:55pm: 1 floor climbed (?—this is Tucson; we don’t have many unless I go to work or hit some trails), 6.56 miles traversed, 13,137 steps, 3,702 calories (kcal), 127 minutes active. Last night I slept for 5:52, with 44 minutes awake/restless. Current pulse: 66. Resting pulse: 58. I hit 7 of 9 hours with at least 250 steps an hour (though in my defense one of those hours I was in the pool the whole time so didn’t have the fitbit on). I don’t check or register my weight. Judging from the fit of my shorts I am chunkin’ up and don’t need to know specifics.
     Watch a show or two I think. Have a drink to mark the separation from the parent portion of the day.
     I planned on making it to midnight but with the kiddo getting up so early in the summer, driven by the light in spite of blackout curtains etc., I’m not sure it’s worth it to commit. Working on some notes from the day. Sense of fatigue. What did I notice that others did too, or didn’t? Where do our days intersect, and where do they stray off into their own tidal pools or—I’m trying to remember the word now: cul-de-sac? not quite, but the one I want seems to be beyond my capacity for digging at the moment. I wonder often how specific or idiosyncratic or maybe I just mean exclusive my experiences are, selfish thing that I am. All these words, all this data: it’s all buried in the mind. Like a disconnected meander, or some kind of loop that gets cut off from the main river. Like a book in the stacks that lost its card catalog card or digital entry. All the data is still there: it’s just no longer pointed to. Reminder that if you want to really delete anything on your devices you have to wipe the space and X over the data. Otherwise it’s all still there, only occasionally getting overwritten. Ask the NSA. They’d prefer I don’t tell you this. I’m off on a tangent here, and that’s not the word I’m thinking of either.
     Trying to think of the word I close the word file and go to sleep instead and hope I won’t circle the word in dreams. I won’t, or if I will I won’t remember.

—Ander Monson

Ander Monson is one of the editors of Essay Daily.




JENNIFER GRAVLEY

Something I Don’t Remember Anymore

What happened first on June 21 was the green 12:01 AM. I’d already been awake for 20 minutes with a headache. I’d had it for a few days and would for a few more. It felt like going on or off meds, but I wasn’t. I knew the store-brand acetaminophen in my purse would help, but it would take time, and it would take getting out of bed. Eventually I did and spent two hours in my office doing something that was nothing because it wasn’t writing.
     June 21 was a Thursday, so what happened that morning was what happens every weekday morning: I didn’t want to get out of bed. Did I turn off both alarms on my cell phone and fall back asleep, one time and then another, as I do every morning? I didn’t have time to write it down. When I left the house, a city police SUV was parked on the street outside our cul-de-sac. I called my husband and left a voicemail.
     It won’t be a surprise: the best part of my workday was thinking about sentences when a colleague asked me to look at a story for our library news site.
     I needed to leave the building so I walked down the street and ordered an overpriced sandwich on gluten-free bread. Another thing I hadn’t done that morning was pack a lunch. I took the notebook where I was drafting by hand one thousand words per day for a different writing project but instead looked at my phone.
     Three people asked me questions during my reference desk shift. No one called or asked a question via email, chat, or text message. When the next librarian came out to replace me, she asked if I had any exciting plans. I panicked and asked, “In life?” Then “This weekend?” She meant, of course, this summer, and then the phone rang.
     I left work early to meet a friend to work on yet another different writing project. My favorite commute: university library to public library. I went to the third floor, where the study rooms were taken, and then back down to the first floor where one group could be kicked out in 15 minutes. Two minutes before the kicking-out time, we went back to the children’s desk and learned the room had just been given away. It was raining, just a little, and summer. We spent a long time unsuccessfully brainstorming alternatives before heading upstairs to unpack on one of the long work tables. Then a group left their room early, and we were able to begin. There’s no use asking what we would’ve done with those extra minutes.
     After I got home, my husband made peanut butter noodles, and we ate the PB noodles on the couch while watching The Handmaid’s Tale. After that I went upstairs to bed, where I had on my nightstand a dozen books as well as my Kindle, my iPad, five notebooks, three pens, a lamp, two booklights, and an alarm clock for knowing the time with minimal effort when I wake, and I do, in the night.
     This was the time of night when it feels like the day is just beginning, just starting—or could be starting—to be mine. But tomorrow I would definitely be turning off the alarms on my phone one after the other and sleeping far later than I should, so I didn’t start my day.
     Instead my husband and I talked in the dark. I confirmed on IMDb that I knew the name of Phoebe’s twin on Friends. At some point I said something I don’t remember anymore, and then I asked my husband if he was going to write that on June 21 I said this thing that I don’t remember anymore. I didn’t know then what he’d tell me a few days later—that he probably wasn’t going to do it.

—Jennifer Gravley

Jennifer Gravley writes short prose, directs university students to staplers, and wants to stay up all night.





JEANNIE E. ROBERTS

Before rising, the window air conditioner gives one last blast. I get up, make the bed, and head downstairs. My husband sits on the couch, coffee within easy reach, as the morning news trumpets more chaos. Yogi pads toward me, while wagging his 13-year-old personality, seemingly repeating, "Hi, Mom, it’s good to see you!" My husband pauses the news, where we chat quickly. "Let me know how it goes," he says, then leaves for work.
     I turn off the TV, pour myself some coffee, eat breakfast, and let the day begin. Yogi and I head outside. As we walk, the nesting osprey fuss and chirp, hiss as the female circles above us. "Go away, go away!" she squawks.
     It’s time to pack, but leisurely. As I prepare for the long weekend, the resident loon comes to mind. She appears to have adopted our end of the lake, perhaps unwittingly. Concerned, I find the binoculars, where she rides the water, occasionally dipping her head. She spreads and shakes her wings, which could be a good sign. I text my husband about the loon, about her wings.
     Emails and electronic communication await, as does my Facebook group, Daily Gratitude. My post for today reads: "I’m grateful and thankful to prepare for a four-day writers’ retreat, held locally, here in the Chippewa Valley area of WI. I’m hoping to meet like-minded writers/creatives, to form local friendships, to nurture a sense of community and belonging. I’m grateful to hold these hopes, these intentions in prayer."
     As I go about my afternoon, I’m mindful and in the moment. The car is packed and I’m nearly ready to leave, but before I do Yogi needs one more walk around the yard. He spots a red squirrel. After an unfruitful chase, he wobbles and drops to the ground, heart racing. Again, he’s forgotten that he’s not the frisky puppy he once was. Patting him, I affirm his being by offering these words, "It’s okay. You’re a good boy."
     During my twenty-five-mile drive, I listen to David Whyte’s CD “Courage & Vulnerability, the Beauty in Human Reluctance.” His work resonates deeply, especially these three poems: “The House of Belonging,” “Apprentice Yourself to Your Own Unknowing,” and “In a Dark Wood.”
     I arrive to find a lovely setting midst the woodlands, where a log cabin will lodge eight other writers, plus our workshop instructor.
     We share introductions, socialize, then have dinner. We laugh, and camaraderie builds. As a group, we write about our evening, where I choose Yogi brand Peach Detox tea as my writing accompaniment.
     On this summer night, its solstice, the longest day of the year, I’m buoyed with wings of courage, lighthearted swiftness, and by the beauty and spirit of humans who gather together as one.

—Jeannie E. Roberts

Jeannie E. Roberts has authored four poetry collections, including The Wingspan of Things, a poetry chapbook (Dancing Girl Press, 2017), Romp and Ceremony, a full-length poetry collection (Finishing Line Press, 2017), Beyond Bulrush, a full-length poetry collection (Lit Fest Press, 2015), and Nature of it All, a poetry chapbook (Finishing Line Press, 2013). She is also the author and illustrator of Let's Make Faces!, a children's book dedicated to her son (author-published, 2009). 





MARK NEELY

A Hard Day of Nothing Much at All

“Bright-eyed and bushy-tailed woke not Henry up,” writes John Berryman in The Dream Songs, a line which ran through my mind as my eyes rolled open this particular Thursday—one of those gloomy Midwestern mornings when the sun is hidden behind a miles-wide shelf of clouds. Berryman’s cure for the a.m. doldrums was a few fingers of bourbon in a tumbler of water. Thinking it best not to emulate such a tragic life, I opted for a cup of green tea instead, having discovered around age 40 that I could no longer tolerate coffee on an empty stomach. The tea was a Chinese variety, “dragonwell,” a name I liked for its dual connotations of power and health. It was June 21st, just a few days after Bloomsday, the anniversary of Leopold Bloom’s adventures in Ulysses. For his breakfast, Bloom eats a fried kidney (which he almost burns while talking with his wife), along with bread, butter, and several cups of tea. A century later I found myself pouring a bowl of shredded wheat with sliced banana, wondering, as I often do, when exactly it was that I turned into a middle-aged man.   
     The writer Jim Harrison, famous for his gluttony, often ate plain oatmeal for breakfast. When his French friends teased him about this habit, wondering why a gourmand such as himself would start the day so blandly, Harrison said, “so I can live to eat another day,” which beautifully sums up my feelings about the shredded wheat. Of course, if there’s one thing we know about nutrition, it is that attitudes about what constitutes healthy eating are always shifting. The low-carb crowd, for example, would probably view my virtuous serving of shredded wheat as something akin to a bowl of rat poison. During breakfast, I scrolled through Facebook, the local paper, and Deadspin, a gossipy sports site, then went through my usual bathroom routine. See Ulysses, chapter three, for a more detailed description of my activities therein.
     The kids were up by then, out of school and equal parts excited and bored by their summer freedom. I helped them get breakfast, then made a second cup of tea and tried to do some work on my laptop. It was an unproductive hour, full of interruptions. Our new puppy, Maggie, not quite house-trained, requires near-constant attention, and Henry, age 10, was terrorizing his older sister by sneaking up and blasting her with his high-powered Nerf gun. Jill had been up early, sitting in the back room with her coffee and computer, but now she was off at a hair appointment, and by the time she returned and started getting things together for a trip we had coming up, the morning was half over. A short while later I got up to clean the kitchen and help a bit with the preparations before heading in to work.
     I had managed to accomplish one thing that morning. I had promised myself I’d send some poems out to literary magazines before we left for my mother-in-law’s house in Washington, where we’d have little internet access, and there was one more magazine to check off my list—POETRY, that venerable old mothership of American letters. Getting a poem published there had always been a goal of mine. Appearing in POETRY, which had published virtually every important American poet of the 20th century, would put me in conversation with the poets I had grown up reading—Lowell, Plath, Rich, Brooks, Berryman.
     So far my pursuit of this goal has been futile. I have sent over twenty submissions to POETRY over the last dozen years or so, all of them met with the magazine’s standard rejection. These first came as little quarter sheets of paper, printed with a generic dismissal, and crammed into an envelope I had addressed to myself. It used to take a lot of work to be an unknown poet. Now it’s a little easier, as almost every magazine has moved their submissions process online.
     As I made some final edits, I thought of Ruth Lilly, heir to the Lilly pharmaceutical fortune, who just before her death had bequeathed close to a hundred million dollars to POETRY, surely making the magazine the richest literary organization in the world. When the gift was made public, I read that Lilly, herself an aspiring poet, had sent several batches of poems to the magazine, but had always been rejected. The fact that she had still been so generous with them always struck me as the ultimate integrity, but maybe, (in Groucho Marx’s famous formulation), an organization could only gain her respect once it had denied her as a member.
     At the time, pressing the “Submit” button felt like the biggest accomplishment of my day, preceded as it was by hours of writing and revision over the previous months, but in a half-year or so, when the almost-certain rejection arrives in my inbox, it won’t have amounted to anything at all. But you have to have something of the gambler in you to play this game, always confident the next spin will be the one that hits.
     Two of the poems I’d sent were written about my father, who had died just over a year before. This fact made judging them more difficult than usual, but assessing one’s own work is always challenging. When John Berryman was asked by his student, W.S. Merwin, how he was supposed to know if his poems were any good, Berryman answered, “you die without knowing / whether anything you wrote was any good / if you have to be sure don’t write.” These are the kind of reassuring maxims that tend to pop into my head when I send out my poems.

Before I knew it, the time had come to get ready to go to work. I’d taken an administrative job in the English department, so had to be on campus more hours than usual in the summer. Most of my time that afternoon would be taken up by the second of four 2-hour computer training sessions, where administrators and staff would learn the basics of Sitecore, a “content management” system that would allow us to update our department website. The umbrella I grabbed on my way out of the house turned out to be a poor choice, a small and mangled affair that offered little protection from what was now a driving rain, and I got fairly soaked walking from car to office, then on to the library for the training. My colleagues were gathered outside the locked computer lab, and for some reason we all felt the need to explain the fact of our wet shoes and pant legs. When the man from marketing and communications arrived to conduct the training, he said he had tried to wait out the rain—he had no umbrella—but “ended up soaked and late.”
     During my eight years of higher education in English and creative writing, I never imagined I would find myself in a computer lab in the basement of the library, learning the architecture and branding behind our website’s tabs, carousels, “breadcrumbs,” media library, and personnel directory, but then again, so many things about my job would have been a surprise to this younger, more naïve version of myself.
     It was early evening when I returned home, and I had just enough time to read book 20 of The Odyssey before it was time to make dinner. I was reading (and very much enjoying) Emily Wilson’s new version, the first translation of the poem into English by a woman. In this book, Odysseus, disguised as a beggar, begins to set in motion his plan to take revenge on the suitors who have been courting his wife. They’ve also been slaughtering and eating his livestock and drinking his vast stores of wine, which for Homer is perhaps an even greater offense. Having not read the poem in many years, I had forgotten how much of it recounts episodes of eating and drinking. The characters are always slaughtering some poor pig, cow, or goat, burning its thighs (as a sacrifice to the gods), then roasting the meat on spits and washing it down with bowls of wine. Eating and reading, it occurs to me, are two of the things I think about most in life, and two things I aspire to do well. As Frank Conroy says, they are some of the few pleasures in life that “never run out.”
     When my father grew tired of living, he simply stopped eating, which was all the more shocking because food had always been a great comfort to him. This method of dying took longer than you might think, but eventually it did the trick.

Henry was off at a friend’s house, so the three of us had a quick dinner together before Ella had to leave for her swing dance class. I made tostadas, a vegetarian version for Ella, topped with leftover refried beans, lettuce, olives, salsa, and avocado. For the grownups, I’d gotten a pre-made, Frontera Grill brand “barbacoa.” The kind of thing you heat in a pan for ten minutes and serve. This turned out to be some weird looking rectangles of meat and a mostly unidentifiable mix of beans and vegetables. I realized for about the same price, and not a lot more effort, I could have cooked a steak and sautéed peppers and onions for our tostadas. I felt foolish to be suckered by this high-end branding, thinking about how much we sacrifice in the name of convenience.
     It always seems strange to have dinner without one of the children present, and makes me imagine how it will be when they’re out of the house, off on their own adventures. Ella starts high school next year, and it’s hard to picture our lives without her daily presence, just as it was impossible to imagine what life would be like with children before they were born.
     We finished eating, cleared the dishes, then I drove Ella to her dance class. I pulled into the parking lot just behind her friend Sophia and her family, who were all attending the class. It was raining steadily, and Sophia’s dad waited with his umbrella to walk Ella the few yards to the entrance so she wouldn’t get wet. A simple, beautiful gesture.
     When I got back, Jill and I found ourselves alone in the house, a rarity during these summer months, when one of the children is almost always home. Another fact of middle age—you learn to take advantage of these moments.
     Driving to pick up Ella I saw over downtown a double rainbow—one band quite vivid against the blue-gray sky, the other curving faintly above. I hoped to show Ella on the way home, but by the time I’d retrieved her it was gone. After the kids were safely back from their activities, everyone got ready for bed. Jill and Ella were in the habit of watching a show together before bedtime—they started with West Wing, and were now two seasons into Jane the Virgin. They propped Jill’s laptop in our bed, and Henry went up to his room to read. I sat down with a drink in the living room and watched an episode of Lost in Space. So many of the shows I watch these days involve fantasies about the human race starting over after the mess we’ve made. Soon Ella came to say goodnight. I turned off Henry’s light and went to bed, falling quickly to sleep. Whatever dreams I had then I don’t remember.

—Mark Neely

Mark Neely is the author of Beasts of the Hill (2012), and Dirty Bomb (2015), both from Oberlin College Press. His awards include an NEA Poetry Fellowship, an Indiana Individual Artist grant, and the FIELD Poetry Prize. His work can be found at www.markneely.com 





JILL CHRISTMAN

An Endless Retro-Infinity

I once heard Alison Bechdel give an incredible talk in which she showed photographs of the giant binders in which she records the details of her daily life, explaining that the writing of memoir was, for her, an act of subtraction. To illustrate her process, she must have flashed up a drawing of a graphic Alison tunneling through the reams of recorded information because I remember the tunnel. I remember thinking, Ah ha. Yes, of course.
     I am thinking of the tunnel today because I’m linking nerve centers with friends and fellows from across this dark land to record the details of our daily lives. I didn’t turn on the radio this morning and I didn’t take my phone past the alert screen where I peeked just to see if there were any texts updating me on the status of my 77-year-old artist father who’s in a hospital in Savannah with acute pancreatitis. The only news was a text from one of the moms regarding the afternoon playdate our 10-year-old son, Henry, was excited to attend. There would be linked Minecraft worlds, chicken tenders, and maybe a trip to the pool if the rain let up.
     I let the screen go dark without further news. I needed to check on my dad, but I don’t need to begin every morning in a blistering rage. Not right away. In other words, if number 45 began today with a Tweet announcing some kind of parade for himself for signing an executive order to stop jailing children in detention camps when he could have just, you know, told everybody working the border that separating babies from their mothers was inhumane, then I don’t know about it yet. If, while 45 was otherwise engaged with the details of his self-aggrandizing rally we’ve learned that ICE kept insufficient records, so even if we wanted to reunite kids and parents right now, we’re too bumbling to figure out how to dial back our own evil—then I don’t know about that yet either.
     Don’t even tell me. It’s morning and I’m not even out of bed. I am trying to linger.
     I am clinging to the crepuscular window where the news that Trump is still president can’t find me.

Here’s how the day began: a giant black nose appeared over the edge of the bed and gave me a nudge. Then the owner of the nose, an 8-year-old Rhodesian Ridgeback named Lola (L-o-l-a or Whatever Lola wants Lola gets—depending on your generation) pulled back her head to activate her morning head shake, a kind of castaneting of flapping ears. A real dog racket. I looked at the clock. 6:45. And then I tried to remember if I needed to get up fast and for what. You know that first moment of consciousness when you open your brain to consider what you’re in for? Sometimes you remember you have a meeting with the Dean at which you have to wear big-girl clothes and provide bullet points on the value of storytelling or you need to drive your 14-year-old daughter to Indy for an x-ray of the titanium rods in her spine or grades need to be posted on Blackboard by 3:59 p.m. and you still have seven more essays to read before you can even start calculating. There are plenty of days like that, but every once in a while, this moment of pre-consciousness goes your way and today’s awareness crept in without inflicting fresh harm.

June 21, 2018. First day of summer. Record the Quotidian for Ander Day. I settled back into my pillows and started running sentences through my brain. The castaneting of flapping ears? Just lying there, I was doing my job: pay attention, be curious, pull back the cotton wool and reach in for the good stuff, those Woolfian moments of being where we can really live our lives.
     Here’s a thing I do: a kind of active switching on of the sensory on a five-count. A body scan of my senses to make sure I’m remembering to use what I’ve still got. What could I feel on my skin? Wet dog nose, and when I put a tentative hand to my own thigh, the heat from a giant bruise that had spread beyond the reach of my fingertips. And hear? Flapping dog ears, plus the morning whistle of the cardinal who’s established his homestead in the redbud outside my window. Anything to smell? Well, dog, with an undernote of almond vanilla pet shampoo, but also human bodies. That smell that escapes when the clean sheets move and the air that’s been infused and warmed by the slumbering humans underneath wafts out. The smell of sleep. Taste? Still early. Nothing good. And what was there to see?  At 6:45, it was already light—June 21st, for heavensakes, the summer solstice, everybody will mention that, right? Longest light of the year, yaddayadda, although that of course means that tomorrow will be a sliver less light and onward to that darkest day—but despite the fact that the windows in our bedroom were covered by only sheer white curtains because the roll-down shade is broken, the light coming in was muted and soft, which I noticed, admiring the way the light took the edge of the things of my world, before making a mental note to buy new shades. Those shades have been broken since last summer.
     Perhaps I should mention that I was in bed with a poet who was still very much sleeping and who plays disc golf—serious disc with an annual tournament, a code of conduct, the whole works—with the guy who’s running today’s observation project, and while I’m dabbling in character development, I suppose I should also add that all three of us went to M.F.A.-gettin’ school together in Tuscaloosa twenty years ago; in other words, I’m not the only one in my house who’s paying attention today. Mine might not be the only description of this particular butter-yellow bedroom infused with a hazy light because of the hard rain that came through in the night.
     For all the reasons, this would have been an excellent morning for extra sleeping, but Lola’s ear flap had worked like a rooster’s crow to rouse the puppy, who was just then quite literally rattling her cage, and so I slid out of our warm sheets, gray like the sky, and padded across the carpet, past the rattling cage with the puppy in full-body wriggle, to the bathroom, because I’m establishing a rule for all the things I help to keep alive in this world: I’m learning to put on my own oxygen mask first. In this instance, I pee, and then the dogs get to go out.
     [I need to break in with a confession. It’s 9:36 according to my laptop clock and I’m sitting in a salon chair getting my gray covered, but in the story of my day, I haven’t even gotten the dogs their breakfast yet, and herein is the problem with the well-recorded day. Impossible to get it all down, really. Of course, the consciously lived, consistently observed day is another animal and more attainable. Here in the swiveling beauty chair, the smell of the chemicals is curling my nose hair and the color brush squelches, but I’m going back now to feed those dogs.]
     Because I was so aware of my body as a recording machine, I listened when I pulled up the steel bar on the puppy’s kennel, the metallic slide of the bar through the eye of the clasp, and the squeak of the hinge as I flipped open the door. No matter how badly she herself has to pee, the puppy—Maggie May, like the Rod Stewart song—falls into a languid full-body puppy stretch. You wish you could puppy stretch like this puppy. Front paws forward, back paws back, she brings her hips forward and then arches them toward the floor. Maggie flattens like a mongoose.
     [Okay, I need to break in again to say that Kim—she’s my stylist of many years and the one wielding the color brush—just asked if she could take a picture of my screen: after her eyes caught the word “confession” over my shoulder, she said she just had to know, and so she read everything I wrote below that, although I’m thinking she was probably hoping for something juicier than dog breakfast, and I say sure, of course, because isn’t Kim’s iPhone image and the likelihood that she’ll show her kids and her boyfriend and maybe even the other beer drinkers at the brewery she frequents a species of publication? A page out of the diary of my day here on June 21st in Muncie, Indiana—Middletown, U.S.A.—now shared in the very community in which the details were recorded?
     I’m thinking all this, but I’m also still talking and I double-down on my disappointing confession by revealing that I skipped the details from the toilet this morning because of course I knew Kim was reading over my shoulder—although, my God, wait until I tell you about the bruise on my thigh, more of a contusion really, sustained when I ran into a wall while pushing a stationary bicycle—on wheels, at an angle, too quickly (picnic, lightning): the handle bar jammed into my right thigh like a friggin’ javelin. This morning, on the toilet, I was noting that the once deep purple bruise, bigger than my hand and raised like the top of a skull—seriously, when I wear yoga pants you can see my bruise through the fabric—was starting to change color. My bruise looks like someone being born. Which god was that who was born out of Zeus’ thigh? Ahh, yes: Dionysus, the god of wine. This seems apt. I hope when my thigh-bruise child bursts forth, he carries with him a nice Oregon pinot. The pinot comes to mind because in my youth I stomped grapes the Greek way at a Dionysus-themed party on a vineyard in the Willamette Valley. It was as fun as it sounds. Kim’s still reading. I hope I’m not freaking her out (You okay, Kim?). Back to Lola and Maggie. For real: these poor dogs still haven’t had breakfast. Maybe if I stick with a disciplined past-tense narration:]
     After her stretch, Maggie rolled into me, all puppy fluff and sweet tongue. Delicious, really, but it had been a long night and Maggie had to go. At the back door, I felt the deadbolt in my fingers, cool, and heard the click, louder than usual—because I was listening so carefully. The deck was wet and I had to slide into my backyard Crocs and go down the steps into the grass, squatting down and calling the dogs. Neither one of them like wet grass, and while Lola can hold her urine like a champ, Maggie’s been known to let it go right there on the deck, so I called to her, pretending I had a treat in my hand and she tumbled down the stairs like a ball rolling down a ramp. Once she made it to the grass, I gave her the command: “Maggie, outside.” And she squatted to pee. There.
     Back up the stairs and into the kitchen we went and the three of us followed routine: I held the pot under the spout and filled up enough for my coffee, clanking the pot on the burner and turning the knob, click-click-click, ignite, and adjust the roaring flame, red and blue and yellow. Bruise colors. While I did this, Maggie jumped on Lola’s neck, biting her ear. Making Chewbacca noises, the dogs pinballed down the hallway toward the living room, attached tooth to ear. I’m the impatient type who uses power boil so that by the time I had the kibble scooped, medium-breed puppy and large-breed old dog, a notably different timbre against the stainless steel of their bowls, I was ready to splash the first steaming water over the black grounds piled in the white paper filter in the yellow cone above the big white cup. So much depends upon. 
     Maggie eats a prodigious number of sticks every day, so to keep them moving through, I add a tablespoon plop of pumpkin to breakfast every morning. When the dogs heard me open the fridge to get the pumpkin, they ran back, dividing and finding their spots in the kitchen, playing the parts of good dogs who deserved large bowls of kibble with pumpkin gravy for breakfast. I held a kibble in my hand and locked eyes with Maggie: “Down.” Maggie threw herself onto the floor. “Maggie, Lola—“ I made eye contact with each of them, raising my palm like a traffic cop and lowering my voice. “Stay.” They stayed. I clanged their bowls into their doggie bowl holders and both dogs kept their eyes on me—intent, as if I were some kind of giant, juicy squirrel. I dragged out the moment. Maggie’s ears vibrated like antennae. “Okay!” I said, high-pitched and happy, and they dashed to their respective bowls. I poured half and half in my coffee, swirled in a smidge of creamed cinnamon honey I bought at the farmer’s market last weekend, and held the hot mug to my lips.
     Is there anything better in this world than that first sip of morning coffee? If every sip of coffee were like that, sip after sip, I would make myself sick with caffeine. I would vibrate like Maggie’s ears. But it’s not, so I don’t.
     After the dogs ate, Maggie had to go out again: to poop. She pooped.
     Then I wrote as fast as I could to get it all down before my hair appointment. I’m fast, but I’m not that fast. To recap: in the car, I ate a too-ripe banana (beyond the ten-minute window during which any given banana is at the perfect texture for eating), then more coffee at the salon where the only creamer is fake and vanilla, so too sweet and kind of gross. The good coffee window for the day had slammed shut, which was a shame I briefly grieved. I heard about Kim’s son’s graduation party at the Elm Street Brewery during the application of the reeking color, into the chair for toner and rinsing, a quick and yummy scalp massage with fingernails scratching, hot wax on my brow bones and an audible ripping away of the little hairs, a fast but no doubt unnecessary pain, back in the main chair for cutting, drying, styling—a sizzle of steaming hair, the smell of hot product, and the click of straightener’s alligator jaws—goodbye, goodbye, have a great trip to the mountains, and then out into the world where naturally it was raining and my hair, which had looked as glossy as a seal’s pelt when I was still in the salon, started to frizz.

Back home, my husband was recording his day and our daughter Ella was recording hers and our son Henry, sick of being a subject in everyone else’s observations and anxious to get on over to Zishan’s house to play Minecraft, was putting pencil to paper to compose a comic about his sister, and we were, as a family unit, pushing the limits of meta.
     Mark at 11:11 a.m. on 6/21/18, after I announced my despair at having already exceeded 1,500 words: “I’m sure everyone’s going to be fascinated by your 40-page treatise on your day.” (This, from a man who’s read Karl Ove Knausgaard’s My Struggle, Books 1, 2, and 3.)
     Ella, typing away on her tablet: “The problem with writing about your day is: Do you have to write about writing about writing about your day? Which means you’ll spend half your time writing about writing.”
     Then, tick-tock-tick-tock, a few skirmishes about who can write what about whom and in what kind of detail, and I’m off recording my day and at the dining room table with two phones, a flash drive, and a laptop—taking care of life details so boring I hesitate to include them here: Costco.com to reserve a car, a call to State Farm, a call to the vet, an email from the vet with vaccinations records, an email to the kennel to deliver said records, and on and on to Yawnsville.
     I’ll tell you what gets in the way of satisfying in-the-moment observations and the excavation of a good tunnel: shit like that. And iPhones.

Summerful is a silly-sounding word I learned from the OED’s word-of-the-day message that means just what you would think: full of summer. Summery. Although June 21st marked the first day of summer, in Muncie, Indiana the sun refused to shine, the rain poured down, and there was nothing summerful about it. Henry and Zishan didn’t get to go to the pool, but they did jump in a puddle so big that Zishan’s mom made them change their clothes when they came in.
     At 5 p.m., I drove to pick up Ella from her final dance class at the studio where she’s been dancing since she was five. The studio is moving, and Ella will be moving with it, but still, she grew up dancing here, in this too-small studio at the end of a tiny strip mall that Premiere Dance Center shares with a Domino’s, an accounting firm, and an empty space that’s been three kinds of groceries in the years since Ella was a preschooler. There were only four girls in this final lyrical class and from my car I could hear the music through the window—Grace VanderWaal’s “Beautiful Thing.” Just this time last year, Ella had two titanium rods screwed into her spine to correct a 51-degree scoliosis curve in her thoracic—a surgery so serious I feared the worst—and on June 21, 2018, I watched her dancing, twirling and bending—what a beautiful thing—the rain and the reflection and the steam on the window softening everything and making it look as if the girls were leaping my red car. When we pulled away from Premiere for the last time, Ella wept, crying for her childhood, and I joined her, weeping out my gratitude.
     Around 7 p.m., I talked to my dad and learned the good news that the 2-inch cyst in his pancreas was actually shrinking. “I’ll tell you what,” he said, loopy with morphine, “pancreatitis makes open heart surgery seem like a walk in the park. A walk. In. The park.” I asked him if his surgeons were planning to drain the cyst. “No, no. That’s the cardinal rule of medicine: don’t touch the pancreas.”
     At 8 p.m., Mark and I found ourselves with a half-hour window during which Henry was still at Zishan’s and Ella was off salsa dancing. In the summer, we are rarely alone in the house, so we made hay, as it were, even as the rain redoubled its efforts and the minutes ticked away.
By 9 p.m., both children were home and the OED sent me the word for June 22nd (which seemed a tad premature as I’d not yet gotten through the less-than-summerful 21st, but as Henry would say, whatever).
retro-infinity
1678  R. Cudworth True Intellect. Syst. Universe  i. v. 850 And So backward Infinitely; from whence it would follow, that there is no First in the Order of Causes, but an Endless Retro-Infinity.
     An infinite series backward.
     While I was mulling this over—infinity, backward—the bruise on my thigh, which Mark had pronounced the worst thing [he’d] ever seen, began to itch. Like crazy. I was losing my mind with itching. Also at about this time, Maggie had pushed her bone into a gap in her kennel and begun clawing away with the single-minded purpose, well, of a dog trying to get a bone. The sound of her scratching paired with the itch in my thigh was suddenly more than I could bear. “Make it stop,” I said to Ella, who was brushing out her hair and waiting to watch Jane the Virgin with me on my laptop. “Make. It. Stop.”
     Ella unwedged Maggie’s bone and gave the ragged, slimy thing—a portion of some poor beast’s former thigh—back to Maggie. Then my long-time vegetarian daughter thoroughly washed her hands.
     I commenced Googling: bruise itching. I skipped past the links on bruising and leukemia—I knew how I’d gotten the bruise and I resisted the tumble down that hole—and found a page of home cures. There were many things I could rub on my giant bruise. Arnica gel. That’s a hippie remedy. If I were with my mom, there would be arnica. Alternately, I could rub myself with vinegar or witch hazel or... a pineapple? The itching, I read, is caused by the bilirubin produced by the healing blood vessels, and I flashed back to the early days of Henry’s life when his dangerously high bilirubin level required that he live strapped to a light board, a suckling glowworm at my breast—which cartoonish image carried my tiring, itch-tortured, bilirubined brain to the Looney Tunes cure for the throbbing, mountainous bump that rises up after some Looney or another is struck by a falling anvil or a well-swung cast iron pan: a giant raw, red steak that melts the bump like butter—but I doubted this was really a thing in the non-Looney world, and anyway, we had no steak.
     Ice, WebMD said. Heat, another page told me. Whatever you do, don’t scratch, all the pages said. Expletive, I muttered, getting up to scrabble through the basket in the bathroom that contains all things gel and cream for maladies ranging from pimples to poison ivy and everything in between. And there. At the bottom of the basket. A green and white tube with the bottom rolled almost all the way up. Arnica gel. I squeezed a giant glob, cool and sticky, into my fingers and rubbed the translucent gel into the bruise—and it worked. It really worked. Those hippies. God bless them.
     Ella and I watched our episode of Jane, and even though Rafael lied, I found myself rooting for him, as usual. At the very end, Petra’s mother did another really, really bad thing—that woman, seriously, so ruthless—and Ella and I closed the laptop with a collective sigh. Oh Jane. Ella kissed my cheek: “Good night. Best mother in the world.” I kissed her back: “Best daughter.” And off she went to bed.

If I were Alison Bechdel, I would have said what I’ve said here, if indeed I’ve said anything at all, in six frames and a couple speech bubbles, but fully accepting that I lack Bechdel’s genius for distillation, I closed my eyes and fell into a tunnel of dreams.

—Jill Christman

Jill Christman is the author of two memoirs, Darkroom: A Family Exposure (winner of the AWP Prize for Creative Nonfiction) and Borrowed Babies: Apprenticing for Motherhood, as well as essays in magazines such as Brevity, Creative Nonfiction, Fourth Genre, TriQuarterly, River Teeth, True Story, and O, The Oprah Magazine. She teaches creative nonfiction writing at Ball State University in Muncie, Indiana, where she lives with her husband, writer Mark Neely, and their two children. Visit her at www.jillchristman.com and @jill_christman. 





ALISON HAWTHORNE DEMING

Slept in till 8—rare for me, a 6 AM riser--after four days of short sleeps. Working at Minnesota Northwoods Writing Conference, hanging late with writers to talk and drink in Pirate’s Cove. Mid-week we’re the only customers in the hotel bar, six or seven of us, talking the writer talk. The laziness of sleeping late sliding into the day. Didn’t want to shower but did. Then down for breakfast. Hard-boiled egg, raisin brain, cut-up fruit, coffee. More writer talk and jokes and thinking about getting out on the lake.
     Then alone in lobby, wicker chairs with forest green cushions, knotty pine, ceiling water-stained, on the walls moose-heads and t-shirts printed with campfires or large-mouth bass. Digging in to MacBook Air (only place with a signal here) to catch up on emails after three days of nonstop teaching, conferences, readings. Call Ander on program biz. Schedule a phone call for Milwaukee Field Work project. Dump the spam and ads.
     News of slow-release poisons dropped in Syria. News of U.S. officials imprisoning children of immigrants in the borderlands, children locked in cages and tents, given psychotropic drugs, told not to talk to reporters. Trump signs document that stops separating the families, but 2300+ still interned. Now he’ll just lock up the whole family.
     I remember a poem from Ed Hirsch’s reading last night written about the years when he was poet-in-the-schools in Pennsylvania. He’d mixed some chocolate chips of Gerald Manley Hopkins into one of his poems. How happy that made me, shook-foil happy. How he answered every question as if he’d never heard it before. How he took a moment to be sure he was listening.
     That’s not my day. That’s last night, but it’s still with me.
     Here at Ruttger’s Birchmont Lodge on the shore of Bemidji Lake, it’s silver-backs gathered for some kind of Christian family reunion or long-term marriage support group, elders sitting in wicker chairs talking about Jesus, praising someone who was willing to manifest his faith. Later I see the group on the veranda lined up at square tables, four by four, playing quiet cards.
     A teenager has the job of raking the shoreline, cleaning weeds from the lake, smoothing the sand to clean it of footprints. Ripple ripple ripple the mercurial surface laps. Kids on paddle boards and kayaks. More branding on tees: “The higher the latitude the better the attitude.” “Rugged outdoors.” Really? Here in the land of pontoon boats and an inflatable water slide the size of a pioneer’s log cabin? Here in the land of take a photo beside Paul Bunyan and Babe his blue ox? Sure. Let’s just turn it all into a postcard and move on, the heroic decimation of the wild.
     Walk the Bog Trail with Paisley, Sean and Ed. Walk, talk, look, walk, talk, sit, walk, talk. Check out carnivorous pitcher plants and sundews. Pink scrotal sacks of the Lady Slippers. Did whoever named them intend that the near pornographic fact of the flower could be re-gendered into clean-cut fairy tale footwear?
     Then back for lunch at Ruttgers. In haste, bison burger with wild rice and portobello all drenched in bbq sauce (auto-correct turned “porto” into “porno”). At next table women talking about design clients, about a fitting for a wedding dress, and someone didn’t get the right dress and now they want her to just get anything as long as it’s the right color.
     Andy picks us up in the hotel to take us in the university’s white van (we joke it’s the meth van) back to campus for conferences. Andy, local writer, Viking, skinhead, leaner than a birch sapling, pony-tailed, skinny-bearded, supremely cheerful (in that quiet northern way), a one-man jazz band of improvised organization as the six or so of us announce our needs to go from here to there and back again.
     Trump gives rally in Duluth. Wins cheers for stopping imprisonment of children. Gaslighting the audience that it was all someone else’s mistake, he never wanted this to happen, though he made it happen.
     Spend an hour reading over manuscripts for two participant conferences this afternoon—same thing that gripes me about so much nonfiction—savoring of personal memory, personal pain and fear, small joys, (I’m okay with the savoring), but no representation of time and place, moment in history, cultural context. What has the history of logging done to the small town you write about with such love? Will anyone who comes after you have the chance to cut the cedar trees off their own woodlot and built a cabin in which to raise a modest but loving family? It’s over, that kind of beauty. I want to see it, but I want to know you know its beauty comes because of the ugliness that surrounds it.
     Conferences at a picnic table in Black Point Park. Were they cottonwoods that lent a fractured shade to our conversations? Then quick back to hotel—Andy to the rescue—half-hour for  shower and flat on bed to watch a bit of Jeopardy, change into black skirt and long-sleeve Citron tee for the evening’s events. This accompanied by music of children’s voices playing in the water, parents conversing on shore. I’ve forgotten how much of children’s play sounds desperate. “Help me, please, someone help me.” Then laughter and screams and splashes. “Hey, hey, hey, look at this!” And roar of speedboat pulling a waterskier.
     More emails then Andy (!) to picnic supper on the university grounds of brisket, cobbed corn, peach cobbler. (Couldn’t handle the cole slaw that looked like a bowl of mayonnaise.) Chat with woman who lived in Paris for several years—piqued my envy. Then walk to American Indian Resource Center for Matt Johnson’s fast-paced reading and talk about how he made his comic book “Incognegro” and how it went all Harlem Renaissance and now might be adapted for TV. Then (Andy!) back to Pirates Cove for drinks and talk (beginning to think we should be called talkers instead of writers—oh how we love the gab). Paisley and I drink bad white wine and the others drink German Blond (the name leading us to a healthy round of scorn). We talk about our worst gigs (the ones where no one came), the long arguments in the world of poetry and stupid racist things people have said during job interviews.
     And then at last to sleep, at least the attempt, with youths out at the firepit playing tunes and drinking loud for too long, so I turned and turned in the white sheets long past the hour when this day came to an end.

—Alison Deming

Alison Hawthorne Deming's most recent book is Stairway to Heaven. She teaches at the University of Arizona. She lives in Tucson and on Grand Manan Island.





ELLA NEELY

My Day: June 21, 2018
Ella P. Neely, Age 14

Half-asleep, I hear footsteps pounding on the stairs, and think something like, “Here comes Henry [my brother] to wake me up.” I am correct. He bounds onto my bed and yells something indecipherable (he later tells me this was “argle-blargle”). He is not fully on the bed, though. He clings to me, trying not to slide off the bed, and I tell him to either fully get on the bed or get off; his clinging to me is uncomfortable. He says he will, but doesn’t really. I see that the clock shows the time as about 9:30. After a moment, he runs out of my bedroom and down the stairs. I remain in bed for about ten minutes, then get up after hearing my dad tell Henry to get dressed and go shoot hoops outside (in the driveway; we have a basketball hoop attached to our garage). He convinces him after only a minute.
     As Henry heads outside, I get up, use the restroom, and take out my new retainer (blue, more like purple, with sparkles). Then I return to my room to choose clothes. All my good pairs of shorts are folded in a laundry basket downstairs, so I plan to just choose a shirt and head down, but the shirt I have in mind (a blue tank top that says “animal lover.”) isn’t in my dresser, and I don’t think it’s in the laundry basket. I choose another shirt, a pink button-up tank top. Then I grab my water bottle, move two books, which were, strangely, balanced on my woven trash can, turn off the bedroom light, and go downstairs. It is now about 9:45.
     Seeing me, our Australian Shepherd mix (she was a rescue) puppy, 5-month old Maggie (full name: Maggie May Christman, aka Magster, Pupperooni, and Magsterooni) runs to the baby gate (now a puppy gate) and squirms against it, hoping for my attention; I reach over and pet her. I put my water bottle down in the kitchen, then climb over the puppy gate into the living room. Henry sits down, and Maggie jumps on him. I move across the room to Lola, our Rhodesian Ridgeback (a rescue, but still purebred) dog, who is about eight years old (full name: Lola Christman, aka Lola-nator, Lols-McGols, and Dogorooni). I pet her, pushing the much more energetic Maggie away when she leaps onto Lola’s bed. After Maggie does this twice, Lola abruptly gets up and walks over to Dad, who is sitting on the couch. The puppy follows, leaping onto Lola’s face. This is a common occurrence, and sometimes Lola plays, but now she just walks around the living room, trying to escape. I leave to go get breakfast. However, not having a book to read as I eat, I head to the cookbook bookshelf, which also has a stack of issues from the magazine True Story. The only one I haven’t finished is the one my own mom wrote, so I grab that (she told me I could read it) as well as the cookbook Vegan with a Vengeance; I’m almost done with Mom’s True Story, and I need something to read. Then, forgetting about breakfast, I sit at the kitchen table and open the True Story. Henry walks by and reads a sentence aloud. He scoffs. “Is that like an American Girl book?” He flips it over, examines the cover. “Oh.” I finish it, then get up to make breakfast. It is now about 10:25. I need to get breakfast quickly, because I’ll have to eat lunch around noon to go to dance camp at one o’clock. It’s practically lunch time already.
     There are two boxes of cereal on the counter already: plain Cheerios and Kashi Autumn Wheat. I choose the Autumn Wheat without a thought; it is much better tasting than Cheerios. This means it has nine grams of sugar to Cheerios’ one. Before I pour my milk, I get myself water and my vitamins, setting them on the table. One is a Flintstones vitamin, and I always sort of choke it down. I pour milk on my cereal and eat it while flipping through Vegan with a Vengeance. When I’m finished, I don’t move, but continue reading. At one point, Dad looks over my shoulder and we have a brief conversation about how one would make potato knishes. Later, Mom comes in and asks me to unload the dishwasher. I realize I haven’t even taken my vitamins, and have run out of water. I quickly fill my cup and swallow my vitamins. Mom tells me that today is the day we are supposed to record our day. She has already written 2,000 words. I start to narrate everything in my head as I empty the dishwasher, and I notice more, like the divots in the bottom of drinking glasses that collect water. Then I fill the dishwasher, and decide I’d better start writing about my day.
     After finding my iPad mini, I sit down at the dining room table, diagonal from my mom, who is typing. I remark that writing everything you do in a day makes the day not normal, and eventually, you spend half your day writing and have to record that, too. Then, I start typing. 195 words later, Past Me has still not gotten out of bed. Like Mom, brevity is not my strong suit. One “five to ten minute” story for Language Arts was twenty-two minutes long. As I work, Mom and Dad talk about the rental car that another person scraped against in December (but wouldn’t admit it to the police). My family’s insurance has refused to pay for it, and Mom is trying to get our credit card insurance thing to pay for it (if this is confusing, it’s because I’m confused, too). The man who hit our car had the excuse that it was dark, and he couldn’t see anything. To this, Dad now says, “Was it so dark you couldn’t hear the sound of metal screeching against metal? That dark? Was it so dark you couldn’t see the damage being done to your soul?” (thank you, Dad, for the funniest sentences in these 2693 words). I continue to write until about 12:15, when Mom tells me I need to eat lunch. She makes me a hummus wrap with Sun Chips on the side. I eat, then go upstairs to brush my hair and teeth. Before I can brush my hair, Mom calls up the stairs that we really need to leave so we’re not late to dance camp. I decide to brush my hair in the car, and run downstairs.
     In our red Prius, I look at the clock, which is seventeen minutes fast. The class starts at one, and the clock says 1:16. Uh-oh. We only have one minute to pick up my friend and drive to the camp. Of course, we don’t make it, arriving about seven minutes late. Luckily, the instructors are forgiving. The question of the day is, “If you could have any pet, what would it be and what would you name it?” Riley answers hippogriff, but can’t think of a name. I say a dolphin, but don’t give a name. Anna chooses an otter, and Michele, one of the instructors, suggests that Anna get many otters so she can call it the Otterman Empire. We all find this hilarious. Michele and Lucas, the other teacher, both want horses, named Leon and William of Canterbury, respectively. With the Question of the Day complete, it’s time to dance.
     Michelle starts us off with Nightclub 2-Step. We don’t go over the basic step because everyone, even me, has had some training in this dance. After that, Michele leaves, and Riley takes over, teaching a Salsa lesson. We start with cross-body leads, which are a fairly simple step that occur in many different styles. Then we move on to other, more complicated patterns. Anna continually jumps in with suggestions for Riley, and reminds him to give us one basic for timing (or, as someone accidentally says, “one timing for basic”). At about 2:45, we take a break before Lucas takes over the lesson to teach West Coast Swing, a beloved dance that has multiple possible timings (there are 6- and 8-count patterns). After reviewing push breaks and whips, which we already learned, we learn a whip variation. I do it completely wrong the first time (apologies to my lead) but soon catch on. We take another break, and Michele returns. I tell the teachers I have to leave ten minutes early to make it to my lyrical class, and they laugh and say they will miss me and talk about me when I’m gone. Then, it’s Rueda time! We normally do this dance in a circle, to make partner switches possible, but because we are learning a complicated pattern, we don’t dance in a circle until the last fifteen minutes of class (Lucas is pleased that we learned the pattern with that much time to spare). As we dance, I watch the clock, waiting for Mom to arrive. She walks in about five minutes before four o’clock. I quietly collect my purse and slip into my flip-flops. As I exit, Michele calls after me, telling me I should come to the salsa class at 7:30 tonight. As we get in the car, Mom says she got stuck behind “every red light.” I eat a granola bar as Mom follows Google Maps directions from Harmony Dance Studio to Premiere Dance Center.
     Once inside Premiere, I greet my teacher, Miranda, and a classmate. I quickly change into a tight t-shirt and shorts and enter the largest room in the studio, known creatively as the “big room.” The other two rooms are the “little room” and the “PDC room,” which has “PDC” written on the floor. Our class, normally eleven strong, only has four people today, in the last week of classes. As we stretch, Miranda gives us two options: pair up and choreograph a small combination, or learn some of “Beautiful Thing,” the competition and recital dance of the more advanced lyrical class. We choose to learn “Beautiful Thing,” and quickly learn a portion of the dance in the non-air conditioned room. We spend a lot of time on the turning section, which includes five turns-in-second, a float, and a double pirouette. Occasionally, a girl who danced in “Beautiful Thing” stands in the door and watches us. At the end of the class, Miranda says, “I’m not going to cry at the end of every class,” because we are getting a new studio and this is the last day for all of us in the room. She asks who is coming to dance camp, a long day of many dance styles in July. Everyone is. She smiles. Another student and I, who don’t have another class, hug her, and we leave. My mom enters the studio, and we look for a place to take a picture, but don’t see a good one. There are people everywhere. Mom waits outside while I grab my dance bag. Though I already have water, I walk to the back room, the café, to sip from the drinking fountain. Of course, my real reason is to see the café one last time. As I wait behind another dancer filling up her water bottle, I look around. Then, I take a drink and exit the studio. Mom snaps a picture of unsuspecting me as I walk out the doors. After another student enters, she takes a posed photo of me out front. I struggle not to cry, and manage until Mom pulls out of the parking lot (I am good at not crying in front of my peers, but terrible at not crying in front of Mom). I calm down fairly quickly, and am mostly back to normal when I get home, only tearing up slightly when Dad asks me how dance was.
     Henry is at a long playdate with his friend, and will be gone until eight o’clock, playing everything from basketball to the Words with Friends board game (basically Scrabble) to Minecraft, so it’s just the parental units and me. After I shower and change into pajamas, Mom and I fold laundry while we watch Jane the Virgin, a completely goofy romance/mystery show modeled, quite obviously, after a telenovela/soap opera. I feel slightly silly and slightly guilty watching it, but that doesn’t prevent me from enjoying myself. I start to wonder if I should attend the salsa class Michele mentioned. I assumed going to a fifth hour of dance class tonight would be too tiring, but I don’t feel tired (tired is a two-hour technique class followed by two extra rehearsals of the same length — this has only happened to me once). We eat dinner, tostadas (yum!), as I think. Now there is a time limit; it is about 6:45, and we need to leave at about 7:20 if I want to go (I will have to change). I can’t figure out whether I want to go because I feel obliged, or because I actually think it will be fun. This upsets me. I decide to go, but am still not happy, so Mom and Dad say I shouldn’t go. I’m still displeased. I go up and change, just in case. Finally, I make my final choice. Dad drives me back to Harmony.
     The class is taught by David, the owner of the studio. We do a warm-up without partners, then leads stand facing the mirror and follows face away. We partner up and slowly learn a small routine, frequently switching partners. I cannot quite catch the name of the dance, and have never heard of it. At about 8:35, Dad, coming to pick me up, stands by the door. David beckons him in, and he is forced to stand awkwardly in the corner while we finish the lesson. It is soon over, and Michele, who seemed to attend this as a student, talks to Dad while I grab my purse, slipping out of my jazz shoes and into my flip-flops. Every single other person in the room starts to dance again, because it is now a salsa dance social. Great, I’m the only one leaving. Teenagers just love to stand out and act different from everybody else. It doesn’t make us feel self-conscious at all. Speaking of self-consciousness, I apologize to Dad multiple times for forcing him to stand awkwardly in the corner, but he brushes it off.
     By the time I get home, Henry has returned. I have a quick snack and sit on the bed with Mom to work on my “Daily Report” while she Googles what makes bruises itch and how to stop it. She has a giant bruise that is really bothering her. She clicks back and forth from Firefox to her own daily report, recording what she does as she does it. We watch more Jane the Virgin, and then I head upstairs. I take forever (aka half an hour) to complete my nighttime routine (brush teeth, brush retainer, wash face, moisturize) because I try to read while I complete it. I have run out of library books, except for one that I can’t find (it’s under my dresser, but I don’t know that yet), so I re-read a book I own: The Dark Prophecy, Book Two of the Trials of Apollo series by Rick Riordan. I might be a little old for his books, but now I have to read every book he writes, and I have to admit they’re amusing. Besides, the third and final book in the series has just come out, so I need a refresher on the second one. Now Riordan has written thirteen books (three series) following the same storyline, which is quite the feat. Anyway, I continue to read in bed for hours, until I fall asleep with my light still on at about 12:30. My body has decided to end my long, exhausting, but enjoyable day before I do, so I sleep.

—Ella Neely

Ella Neely is a 14-year-old living with her writer parents, younger brother, and two dogs in Muncie, Indiana. She is a dancer and Future Problem Solver (awesome academic competition) who enjoys reading in her scarce free time. She warns that her daily report contains no overall message or life-changing insights.





HENRY NEELY


—Henry Neely





SANDRA J. LINDOW

Summer Solstice 2018, A Haibun

I woke to perfect Wisconsin June weather—partly cloudy blue sky and a temperature about seventy degrees. My hair was still drying from my shower when I walked out to the mailbox to get the newspaper. Next to the house, yellow evening primroses and hardy blue and pink geraniums were blooming in the perennial garden; white daisies were about to bloom. The sunshine lifted my mood as I stopped to water my potted plants. I took pleasure in the yellow canna lily that had just opened, its impossibly silky fluted cup, a pitcher for nothing but one’s deepest desire. It has been nearly a year and three months since my husband died. I’ve told my friends, I’ve been doing okay, but everything in this house reminds me of him. Still I have decided not to leave. Leaving here would be giving up too much.
     In the back yard, I saw that sugar snap peas in their comfortable, rabbit-safe raised bed were nearly ready to eat. I searched through the tangle of white flowers and green vines to find the fattest pea. For this farm girl, though fifty years from the farm, it is always like panning for gold. I found one, pinched it off, bit it in half, and popped it into my mouth. Bright-crisp swooped through my mouth like a barn swallow, and I savored summer’s first taste of green.
Saving the Summer Solstice
first sugar snaps
bottle  for their bright taste
labeled “First Green”
—Sandra J Lindow

Sandra J. Lindow is Regional Vice President of the Wisconsin Fellowhsipof Poets.  She learned about this event in a writing retreat taught by Holly Hughes,





EMMA THOMASON

When the 21st begins, I am still awake and listening to my most recent bedmate discuss the intricacies of a problem he’s struggling through at work. He’s detailing, in the broadest sense, the way that something goes wrong in his field: programming. In this case, a miscapitalized letter has caused the entire project he’s working on to stall. He describes it using a grammatical analogy, one that he assumes I will better understand as an English major, and non-programmer. It’s as if, while writing, you were to use “an” instead of “a,” and in response, the entire page becomes unrecognizable gibberish. I picture Wingdings. His style of writing doesn’t make sense to me, and perhaps that is the real reason I often speak out against tech. Maybe it is less about a techie’s lack of interest in the place they have moved, or their inability to stop overpaying, in cash, for housing in San Francisco, and more about my own perceived inadequacy in comparison. I loudly condemn their transient nature: moving here for a 1.5 year gestation period while they make enough money to go where they really want, in turn pushing me farther and farther away from the city’s center until there’s nowhere left to live on an administrator’s salary but at the end of one train line or another. There is something about the way this one speaks of his work that begs me to disregard my deeply ingrained opinions, and listen.
     Earlier in the evening, he and I had been at a beach adjacent late night cafe in the Outer Sunset. In a week, I am set to move out of my home in San Francisco and head towards Tucson, Arizona for graduate school. From the bar at the cafe, I was trying to work on a new short story, but between the end of each sentence and the start of the next, I kept stopping to reword the previous, trying to perfect each line before moving forward. This is a bad habit of mine, especially when I am overly concerned about audience. I want, entirely, to be prepared for graduate school. I stopped writing as the cafe neared closing, and instead considered whether or not the homeless woman who had locked herself in the bathroom some hour back had ever, in fact, come out. I thought: Soon, I will be far from this place.
     When we left the cafe, we walked through a half block of salt-fog-mist to my car. From the driver’s side, I watched as he opened the door and reached in to lift a clumped up set of earphones from the passenger seat, carefully untangling and then neatly wrapping them before ducking head first into the car.
     Now, in bed, when he talks about his work, I think mostly of the attention and care it must take to consider detangling another person’s earphones prior to getting into a warm car on a cold evening. Maybe this makes up for any false notions I have of the people in the tech industry here. I fall asleep staring at a layer of still flat cardboard boxes in the corner of my bedroom: a nagging reminder that soon, this place will no longer be mine. Soon, I will be far from this room; I will be far from this person.

Someone once told me that the best way to combat anxiety in the morning is to, upon waking, ask yourself: Did I inhale or exhale first today? I think it’s unanswerable. Sometimes, this method works, and I go about my morning so focused on the question of breathing that I am out the door and on my way to work without hardly noticing the tightness of my jeans, or the way my apartment’s front door doesn’t quite lock. But more often than not, my inability to discern which came first, the breath in or the breath out, sends me spiraling into an analysis of all other uncertainties. I think about the kind of financial situation I will be in some months, years, or decades from now. I think about the whooshing, dizzying sound of blood rushing to my head when I have just dialed someone on the phone and am waiting for them to pick up. I think about silent killing diseases, and what time of day I will be teaching a class in the fall, and whether or not I will ever have my own dog again, and if, when I do, I will accidentally kill it, and if so, how it will die. I wonder if I will feel ashamed of its death or happy that I only have to take care of myself, again. I think about what that shame would feel like. What kind of shame. Is there a way I can prepare for the aforementioned shame prior to ever feeling it by forcing myself to experience it now? And while forcing myself to feel an unfit amount of shame over a hypothetical dog, I think of what it would feel like to watch a plane crash directly into a window I’m looking out of, and if I would have time to think “I am definitely going to die,” or if I would just stand there, staring, until everything goes dark.
     This morning, I move too quickly to think of either my breath, or the uncertainties. It has only been a few hours, three or four, since we went to sleep. This morning, I am supposed to go the DMV, and my overnight guest has decided to join. It is 5:50am when I tear out of bed and pull on my jeans, bra, and the crusty linen shirt I wear when I don’t feel like thinking about what my body does or doesn’t look like.
     Soon, we are driving in silence across the Golden Gate Bridge towards Marin. The DMV is less busy there. For the first few minutes in the car, we keep the windows rolled down and the air feels angry beating against my tired skin. Then, we sit, with the windows up, for approximately 28 minutes until we arrive, and I get out of the car to wait. There are already about 7 people in line; I sit, cross-legged, behind them.
     The DMV is to open at 8, and I am hoping that I can get in and out of the facility by 8:40, to make it to work only 30 minutes late, at 9. The concrete is cold and I think that maybe I should stand back up, but feel that I would look strange standing up already, having just sat down some 15 minutes prior. I listen to a podcast about writing. I listen to a podcast about moving.
     Lately, I have been misplacing things. Three weeks ago, I left my phone in the toilets at a bar, but returned within an hour to find it had been turned in. Last weekend, I left my wallet at a car wash some 50 miles north of San Francisco, and had to return to get it the next day. On Tuesday, I lost my driver’s license while walking the four blocks to and from my local liquor store. I chastise myself for these mistakes. In line, I go over, again and again, the steps I could have taken to not have lost my ID. I could have brought my entire wallet with me on the walk. I could have, simply, not brought my ID; Roger has been selling to me for nearly four years and has never once asked for it. I could have been paying more attention to the gaping holes in the bottom of my pea coat pockets, and put it in the pocket of my jeans instead. Surely, I will not make this mistake again.
     After the DMV, we drive the wrong way towards the freeway. It is nearly 9am, and the sun is sharp and flooding the car with warmth. For a moment, everything feels fine. When we finally make it back to the bridge, only the first tower is visible; the others have been swallowed by fog. We enter the mist. This feels, to me, like summer.
     The day at work passes quickly. With only a few days left here, I spend much of my time training my replacement: David. David is one of my best friends, a fellow writer and administrator at the University of San Francisco, and the host of a small time radio show “Welcome to the Working Week.” Today, I train him on my program’s filing system and how to organize and run orientation, before we give in to the undeniable urge to, instead, watch short clips of stand-up routines that he has seen, but I have not, until it seems nearly the whole working day has passed.
When I make it home shortly after 5, I lay on my unmade bed and agonize over the unpacked boxes in the corner my bedroom: how best to tape the bottoms so they don’t give out mid-carry, how many boxes it will take to pack my kitchen, how many boxes, in total, I can fit into the shipping container. At some point during my analysis, I fall asleep.

It is near 9pm on the longest day of the year, and when I wake for the second and final time today, I see that the clouds have mostly burnt away, so I sit upright, pillows propped behind my back, to watch the sun set over the Pacific Ocean from my bedroom windows. This could be the last time it looks this beautiful before I leave. For a moment, the 21st of June doesn’t feel like such a waste.
     The sky fades: pink and tan and baby blue until rust-orange and a little bit foggy, finally settling into a deep, unmistakable blue. I inhale, and make a conscious decision to consider this the first breath of the day.


—Emma Thomason

Emma Thomason is a soon to be first year MFA student at the University of Arizona. Currently, she exists somewhere between San Francisco and Tucson.





Check back for more dispatches from June 21, 2018 tomorrow. —Editors

Wednesday, July 4, 2018

July 4: Ida Bettis Fogle • Rhys Fraser • Judy Xie • Melissa Mesku • Ryan Kim • Helen Betya Rubinstein • Caitlynn Martinez-McWhorter • Susan Briante • Samantha Jean Coxall • Patrick Collier


Today we present ten more dispatches from June 21, 2018 to you. More details on the project here, but, in brief, we asked you to write about what happened on one day in June, and are publishing the results, largely unedited, for the next month and change, roughly ten a day. If you wrote something (it's not too late!), send us your work soon.

—The Editors





JULY 4: Ida Bettis Fogle • Rhys Fraser • Judy Xie • Melissa Mesku • Ryan Kim • Helen Betya Rubinstein • Caitlynn Martinez-McWhorter • Susan Briante • Samantha Jean Coxall • Patrick Collier






IDA BETTIS FOGLE

It’s 5:40 a.m. and my husband is stirring. Our circadian rhythms are diverging lately, but this is a little early even for him. I fall back asleep until the sound of the back door at 6:30 wakes me with the reminder that he is making a two-hour drive for a work meeting in St. Louis. Ah, there’s a real reason he was up so very early. I allow myself a moment of midlife crisis over failing to have a career that includes conferences in other cities.
     My phone takes itself out of its nightly scheduled Do Not Disturb mode and pings with seven messages from my son, who felt moved to share the existential crisis he was experiencing in the wee hours. I reply with what I hope are bolstering statements. 
     After I shower, I listen to radio news while I’m getting dressed. I still use a real radio in my bedroom—not connected to the internet. Koko the gorilla has died. I’m hit with a wave of sadness. I hear how immigrants are being treated and I’m glad I did the encouraging someone else thing before this. 
     While having cereal and tea, I send off emails to my elected representatives urging them to DO SOMETHING. Then I read my received emails. Another writing rejection. It’s an “encouraging” rejection, telling me my piece almost made the cut. Do they really mean it, or is that just what editors are putting in their form letters these days?
     My walk to work is pleasant. So noticeably pleasant. It’s been almost unbearably hot the past few days, but we finally got rain, accompanied by a cool front. All of the plants are fresh and perking up, and so am I. 
     Today is a short work day for me at the public library where I’m employed. Five hours—9 to 2. I work 30 hours per week, plus extra hours when I can get them, plus a second online transcription job, done on a per project basis. I arrive at work, noticing the staffing on the schedule is a little thin. Oh yes, some of the librarians are at the ALA Conference in New Orleans. How could I have forgotten? I even told one of them yesterday to say hi to Michelle Obama for me. (Ms. Obama is the keynote speaker this year.) I allow myself a second moment of midlife crisis over career things, etc. etc. But then I have to do real work.
     I spend several minutes trying to help an older lady get her email open, but she can’t remember her password. I walk her through the password recovery process, which I have to figure out from scratch because she has some obscure email service I’ve never worked with. She says she’s had the email address forever, but doesn’t use it often. Her current phone number isn’t connected to the account, so our attempts fail. I set her up with an appointment for a one-on-one tech help session later in the week. She needs someone who can sit with her and walk her through an online chat session with her email provider to get things straightened out. 
     I spend the next few hours helping the variety of people that keep my job so interesting. I help someone find ESL materials, and get angry all over again about immigrant detentions. I have to keep that to myself, though. I accept donation of books, routing it to our Friends of the Library group. Relief washes over me as I see clean books, with no sign of mold and non-yellowed pages.  
     On my break, I read a few pages of Barracoon. I’m not to the narrative yet, because I’m a reader who reads all of the forwards and introductions and postscripts and footnotes. 
     While I’m standing at the Welcome Desk in the lobby, a highly visible spot, I get a tickle in my nose. I try to be as discreet as possible when I can no longer avoid needing to blow it. This is my least favorite spot to work., due to the fishbowl feeling. Thank goodness we rotate desks and never have to be at this one more than an hour at a time.  My hour today is from noon to 1, meaning I get to speak to all of the delivery people bringing food to coworkers and groups using our meeting rooms. 
     Shortly before I leave work, I tidy our New Books area, choosing books to place face-out. I select as many blue covers as possible for prominent display in a superstitious bid to help the Kansas City Royals break a long losing streak and win a game tonight. As soon as I arrive home, I change into a Royals t-shirt to re-inforce the effect of the blue book covers.
     My 20-year-old son—he of the late night crisis—is home. I have a tense conversation with him about his short-term life plans, in which I waffle between complete acceptance and being a hard-ass, unsure what’s best in terms of parenting an newishly adult person who is experiencing health difficulties, but also could probably be doing more in terms of getting his act together. Or maybe he’s doing all he can. How can I know?
     I scan through the slim pickings in our kitchen. Feeding a 6-foot-tall college student is no small undertaking, and I’m perpetually surprised at how quickly we run out of food. We have some frozen fruit and some plain yogurt. I make smoothies for both of us, plus a peanut butter sandwich for myself. He’s already been eating. 
     My husband comes home earlier than I expected, cramping my style. Now I have to worry about whether I will appear antisocial if I want to focus on an online class I’m taking or put on my headphones and try to pick up some transcription work. I spend half an hour or so at each, anyway, making a few dollars on a couple of short jobs. I don’t think I can focus on any creative writing project at the moment.
     I start thinking about dinner early since everyone is home. I look through our meager cupboards again. I try to send my son to pick up a grocery store pizza, because they’re on sale. When he doesn’t want to go, I hate him a little for a minute. I feel since I had to spend several hours of my day talking to people, I shouldn’t have to do that any more until tomorrow. I deliver a brief, muttered oratory about all of the chores I do to keep the household going.
     My son packs up his laptop and leaves for the library. My husband goes somewhere unannounced.
     After they’re gone, I do wimpy exercises with four-pound hand weights while watching an episode of Parks and Recreation. I recall the show gets better after the first season. Then I catch up on five Words With Friends games, all the while wondering when my guys are coming back and what that means for dinner. I hate them both for thirty seconds for leaving me hanging with so many of the practical decisions so much of the time. Then I hate myself for thirty seconds for hating them. Because what if something happened to either of these people that I love so much?
     I look at social media and see terrible comments about immigrants. I wonder why there is so much hate in the world. 
     I leave social media and check on the Kansas City Royals’ schedule. They’re not playing tonight. The out-facing blue book covers entirely wasted!
     What to do with myself? Hold on—the husband is back in the house. He was just out in the back yard this whole time. But now he’s putting on his bike helmet and going out the door. Maybe I should get some writing done while he’s gone. No, wait. He’s back in the house again. I should talk about dinner with him. I’m instantly tired even considering the dinner discussion, so I leave it unhappened. He goes back out the door. I order pizza delivered, even though I haven’t budgeted for it.
     While I’m waiting, I make the Duolingo Owl happy by practicing Spanish for ten minutes. Then I write for a few minutes. 
     When the pizza comes, I panic over choosing a tip amount. I haven’t ordered food delivered for a couple of years, at least. I don’t know how much is standard. I don’t want to be like my dad, who thought to his dying day that leaving a quarter on the table for the waitress was appropriate because that was a decent tip back in the 1950s. I settle on three dollars and hope that’s not cheap-skating it.
     I eat while watching a YouTube video of an interview with Michelle Obama, so I can pretend I’m at the ALA conference. It’s a video I’ve had bookmarked to watch for a while anyway. The guys both come home and snag their pizza with no thanks to me for doing the hard work of calling the restaurant. A little later, my son tells me that when I asked him to go to the store, he’d just gotten a rejection email for a job he interviewed for and that’s why he was in a bad mood. We have a good talk about overcoming rejection. I hug him. He still lets me hug him. 
     I look at grocery ads and make a shopping list for tomorrow. The evening has disappeared. A thought occurs to me that I should have done some housework at some point today, but it seems a little late for that now. 

—Ida Bettis Fogle





RHYS FRASER

It all fades away, and while it is fading I…
     I wondered if I have trouble making things special, as in this day which has already half-happened without really anything at all to write about, apart from the nothing itself, as in the nothing that takes the place of something (i.e. something interesting) to write about.
     I was and am and will have been anxious about today (i.e. June 21st, hereon ‘The Day’, about which we are supposed to write); looking at the forecast (my schedule), I could already anticipate the lack of something notable. No plans, no arrangements. I hadn’t necessarily planned to amplify mundane goings-on into ‘profound’ observations, that was very much the last port of call, but as it happens, we will be lucky to even have any goings-on to consider mundane in the first place.
     I wake up around 10am and look at Instagram for a while. There are small sections of the carpet under the bed that have been eaten by moths, like lakes dotted across a landscape you see from the plane window. The carpet is a huge, tall wheat field for them, they become fatted with the abundance.
     The moths intrigue me, strange, delicate creatures to which I have no conscience in killing. Chameleonic, they will assume the colour of the fabric they ingest, and they make an odd, Klimt-gold smudge on the wall when you swat them.
     I will be honest, I don’t know if we were supposed to write everything about ‘The Day’ during the day; I’m writing this bit the day after (hereon ‘The Day After’), trying to remember ‘The Day’. I made scrambled eggs and black pudding for lunch, up here in Scotland you can buy black pudding everywhere, they even sell huge battered batons of it in chip shops. I don’t know who could eat that much black pudding in one go.
     For the last couple of weeks I’ve been working on a piece called In the Shadow of Absence, I think it’s a novella but at the moment it’s really not much at all, a modest sheaf of handwritten pages. I’m scared to type them up in case they’re bad. Each day I either work on it or think about working on it (guess which usually wins). ‘The Day’ was no different; I thought alot about working on it, but didn’t think it would make the grade for my little piece about ‘The Day’; ‘The Day After’ would be a much more sensible time to work on the piece, except I am now writing about how I didn’t work on In the Shadow of Absence yesterday (i.e. ‘The Day’) today (i.e. ‘The Day After’), because I realise there wasn’t really much else to write about regarding ‘The Day’, as it turns out.
     That might not be true though, let me think.
     Eventually I make it outside. I was going to watch Denmark vs Australia, but I decided against it. The stairwell of the flat smells a little like burnt butter, an odd, hot smell. Walking past the glass door, I think to myself that the old man with the zimmerframe will be dropped off soon by the asian man who drives the minibus, usually around 4. I’ll watch France vs Peru at 4. The back door has a stiff lock. I drink my tea and read a little, the sun and the wind are both gentle, there is a glare from the sun shining against the white paper. A white feather floats through the thin limbs of the trees. The mug is white with a large black X on it. Is that a letter or a Roman numeral, I’m not sure. These things can happen on any day.
     I am reading Camera Lucida by Roland Barthes, ostensibly as research for In the Shadow of Absence, although at this point I am not entirely clear what aspect of the text it is supposed to inform. I’ve got to the bit where Roland is staying in his dead mother’s flat looking through old photos of her, trying to find her real likeness, the photo that shows “the truth of the face I had loved”. Spoiler alert: he finds it, it’s called ‘The Winter Garden Photograph’.
     I’m lying on the grass outside, reading this bit of the book, during ‘The Day’. Again, I’m writing this bit ‘The Day After’, thinking how I too was trying to find the real likeness of something, the real likeness of ‘The Day’. Sitting here now ‘The Day After’, wishing there was something magical to pluck out, some heautoscopic perception of the self or a vision of the world inspired by the apex of sunlit hours. In Greenland the 21st is a national holiday, called ‘Ullortuneq’, everyone dresses up and has a party. The red semicircle on their flag represents the the sun setting in the ocean. If I were spending ‘The Day’ in Greenland it would be much more profound, I think, I’d be much more likely to feel something spiritual, about the world or myself.
     We drive to the pool before dinner. My goggles mist in the water while I’m swimming. The longest day. I remember sitting in the sauna after the swim and thinking of something great to anchor the piece on, but realised I had nothing to write on. It’ll come back, I thought. It didn’t, and now all I have is the memory of having forgotten something good to write about.
     Still, though, I’m starting to think there’s a quality in the slowness, the not-quite-nothingness.
     Back home, I lie still on the bed and watch a moth fluttering across the room in the orange light of the sunset. It reminds me of the feather earlier in the day, being gently blown through the limbs of the trees, a kind of cliched observation now to remark on things floating around in the air with no obvious purpose, but in the orange light of the sun, at the end of the longest day, ‘The Day’, it seems meaningful to me, it feels nice, for a moment.
     It is something to hold on to.
     ...hope to retain a few pieces of dust, a fragment, to help us remember.


—Rhys Fraser





JUDY XIE


A strange pattern filters across your eyelids. If I were younger, I would burrow into the bed of your arm, hum a drowsy no. But I recall that summer does not last forever—it drops down to cumbersome feet where the ache from previous day wear curls anxiously against painted toes. Your warm claustrophobia, as broad as the endless sky, spans down my neck. I throw off the covers and exchange our suffocating incalescence for another type of toasting. Where, I am greeted by the glaring noon, with the streets of Tianjin rotting of sun and blister. Its oppressive heat wraps around us as the thick blanket of smog settles across our shoulders. I find that I cannot shake the layers of rolling dust. And so the day comes down gentle in its infinite suffering, the slight sensation of discomfort—a constant companion. Under the pinch of the beating sun, we swelter into gasping weeds. No rain. No tears. And yet, the forecast for today is somber. 
     Today, I visit a stranger.
     The sky is heavy with bands of black iron. I have begun to know the air, dust-thick and fog-like as it hovers between heaven and hell. The streets line with industry while its homes stand on stilts, a symphonic churning that promises of beginning. But none of this began in cites, so the dead rest in the gardens of Eden. Decorated in flowers and lost prayers, they bloom in the saline and sunlight expelling oxygen in small breaths. I stare at the glistening tombs, a sundred matrix, of forgotten voices, rising up one by one in a chronicle of stone. My grandma rests among these groves, a myriad in the greying trees and crying colors. We face her portrait, and I am mutely reminded of the separation between here and there. Here. A sky of rolling wants—sunk down from work, tireless work. The screech and halt of development : angry. in its carving of new skylines. relentless. in its scrubbing of pastor and field. Walk this path with your feet padding the shifting dirt. Watch it turn to stone. Watch it fill with gravel. There. A land rolling in dreams. angry. in its lines that cut, cut, cut. relentless. in its coping of burgers and endless highways. Stare at foreign face. Live in foreign home. Watch as a girl walks into the sea-hopeful. A boy parked in a red Toyota driving off the dock because that’s where the dreams are—under millennium of buried sand and forgotten cities. But here I am, lost on the edge of a wave, wanting all of it to be mine. But it isn’t. But it can’t be. But I barely recognize her.
     But you do. And your smile flickers in the wake of the shaking day. And suddenly I feel like a stranger locked in a moment, intruding on a timepiece. And I think, this must be it: you, electric-flecked leaving with sunny tears, trailing down the crinkles along the outskirts of your temples to a sunkeness right below your lashes, right before they fan into flame. I reach out, trace your palms. It’s the simple things. So we search for broken memories surrounded by the sweet scent of incense curling into the still air. We rot under a sun of blooming should haves, could haves, would haves.
     You light a cigarette. For her. And then for you.  The day gathers in its heavy lens, through which the crowd of smoke becomes home. I see you blurred, packed in a sweaty sanctuary- your arms raised wailing with the effort. You take another drag. Your hands tremor with the lonely chasm between heaven and a cursed Earth. Nai Nai is smoking with us. She is propped against the gravestone secure, locked in a memory. Where there is no hiding from day—no denial of birthright, no question of home. Just you, standing here, with the light fading in snatches, char- dimmed. Until it’s just your face, smoldering under the lean afternoon sun. And the soft embers, ever gleaming, begin to eat up the cigarette placed under her portrait. We leave. A half- smoked cigarette: its dying embers, glowing faintly, closed in evening’s palm.

—Judy Xie

Judy Xie’s writing has been nationally recognized by the Scholastic Art and Writing Awards; she has won a Gold and Silver medal for her works. She was also part of the TSP Speakeasy project and enjoys writing both poetry and creative fiction and has been published in Polyphony Hs. She attends Mountain Lakes High school in Mountain Lakes, New Jersey and will be graduating in the year 2020. 





MELISSA MESKU

Twenty June Twenty-Firsts

I have been cataloguing my days, off and on but mostly on, for over twenty years. Today is as good a day as any to revisit them, these cryptic notes, these echos from past selves.
     On this day in 1998, a fragment of a quote from Kafka—something to the effect that he’d rather have a page of good writing than a day of beauty. I remember thinking, man, I love you and I love writing, but you could not be more wrong. You are as wrong as the day is long—and it’s the solstice.
     On this day in 1999, I started summer school at community college, my first day of what we sardonically called “the thirteenth grade.” I had recently stolen the Suede album Head Music and decided on the drive to school that henceforth, if I ever had a song in my head that I didn’t like, I would consciously switch to the first track, “Electricity.” Somehow this actually stuck; I listened to “Electricity” in my head earlier this week. 
     On this day in 2000, I was reading A Language Older Than Words. It felt monumental at the time—exceedingly significant—devastating—even life-changing. As it turns out, it was. Twenty years later this book and the author’s other twenty books still break me and build me back up. I still have this one on my shelf. I think I even paid for it. 
     On this day in 2001, I had heard there was a total solar eclipse going on, maybe in Africa, and it pained me that I was twenty and still stuck in my hometown. Two months to go...
     On this day in 2002, while walking from Ashby to the Berkeley campus, I thought about Kant—“one is conscious of oneself only as one appears to oneself.” I thought of the absurdity of identifying with one’s own face when one’s own face is something we can’t naturally see. I became possessed by an intense curiosity about the era before mirrors and glass, and wondered how people self-identified before reflective technologies. By the time I got to work, my cynicism kicked in; people probably crowded around ponds and cisterns of water, preening.
     On this day in 2003, I studied Hungarian while my roommate was out, went to a meeting about the housing co-op we were starting, and then packed up to go to Sacramento for a direct action and a protest march. I remember hiding my studies because it felt immoral, shameful, to spend time learning esoteric things while the world was what it was, and was at war again. I consoled myself with the idea that, if I made myself effective enough in fighting the system, I’d eventually have plenty of time in prison to fritter away studying agglutinative languages.
     On this day in 2004, I arrived back to Seattle after a seventeen hour Greyhound bus ride from Oakland. It was an emergency trip—the payphone calls during this phase of my polyamorous relationship were getting too expensive. I had ridden down from Olympia with the Rad Dyke Plumber, but for all the times I went up and down ‘Hometown Interstate 5,’ getting a ride back with a stranger from Craigslist failed me only this once.
     On this day in 2005, after visiting Timm in Sweden, I was listening to Kent on my Discman and looking for apartments in Ballard, in Seattle, so we could move in together and have a quiet little Scandinavian life.
     On this day in 2006, since moving back from Eastern Europe, I still had no job, but that didn’t stop the motorcycle dealership from giving me a full line of credit. I’m the proud owner of a 125cc scooter which I cannot stop riding. Five days in, I haven’t yet left the Seattle city limits but I’ve already racked up 200 miles. It takes five afternoons at different cafes to finish Snow by Orhan Pamuk. 
     On this day in 2007, I was reading Lisa’s copy of White Noise, and my still-favorite beat up copy of Ramble Right by Amber Gayle.
     On this day in 2008, I was in Austin. Wasting time, really, trying to beat the heat at a dodgy hostel. It was either that, or continue to drive around which I’d already done for months, or go back to Fort Worth where this hedge fund manager I met a few weeks ago had a fancy hotel room I could join him in. But I knew I’d be in Fort Worth for the next year anyway, for work—my first real teaching job. This is my last chance to be free, I thought, trying to muster the energy to care. 
     On this day in 2009, I was living in my car again, somewhere in New Mexico or Arizona, but I didn’t write anything down. 
     On this day in 2010, I was living in Cobble Hill, Brooklyn, with the guy I’d met in Fort Worth, Texas. I didn’t write anything down. 
     On this day in 2011, I was in self-imposed exile from myself, which is to say I was in LA and didn’t write anything down. 
     On this day in 2012, I may have been in NYC, Seattle, LA or NorCal—not sure, and does it matter? I was in the trenches too long. PTSD. Nothing I wanted to remember; nothing was written down.
     On this day in 2013, I worked from home in the apartment I just moved into, the one I’m in right now. I know this only from emails I sent; nothing personal was written down. 
     On this day in 2014, and 2015, and 2016, and 2017, I worked from home, or from a coworking space, or from Berkli Parc, the Lower East Side Cafe near me that is no longer there anymore. I don’t know whether it was a Tuesday or a Sunday on any of these dates, and it doesn’t matter because I did the same thing every day: work. Sure, in those years, I traveled some. Here and there. Spain and Italy and Ireland; all the Western states. But not on these dates. Because I only tend to document days that are novel, and working every day maybe can be but emphatically isn’t. They were good days though. They all are now. Now all I want to do is work because there are other things I’m trying to accomplish—it used to be hard to focus because there was too much fun to be had and too much rabble rousing to do—also because my focus was on every problem in the wide world and not on my own life—I was always grateful and mission-oriented but I was never happy or at peace—travel is a drug—novelty is a drug—novelty isn’t so appealing now because it distracts me from my mission—on the outside my life looks boring but I’ve never felt so capable, even more capable than I felt all those years yelling in crowds and hurling my body against the state and flinging my life to the far corners of the earth. I work now because I finally can. But nothing was written down. There are two reasons to not document: you can’t, or you can’t be bothered. At least this was the latter.
     On this day, today, June 21, 2018, nothing much happened. I could chronicle it, but it’s minutiae. I’ve already said too much and painted in too broad of strokes to go switching to pointillism now. But I’ll try: no dots, just dashes—I took the B train at Grand Street and had my cowboy breakfast on the walk from Bryant Park to Times Square—I worked through lunch teaching myself VueJS in preparation for the rewrite of our codebase—I listened to the Invisibilia podcast and posted a letter to Sonya on the way home—the Melania jacket thing really drove me mad, madder than I usually get, so I banged out an article on it—I “researched” this piece you’re reading by turning my book of days to June 21 where I can plainly see the last twenty years of today at a glance (cheating, I know) and I was super butt hurt that I hadn’t written anything at all on June 21 for the last ten years—Geoff Dyer, upon reading through one of his old journals, wrote, “How funny, to end up being one’s own biographer, to have to resort to the kind of research required by writing someone else’s life,” but for me, it doesn’t feel like someone else’s life, it feels like mine, mine, mine, no matter how different I am or how butt hurt my sixteen year old self would feel about me now, these old selves are my riches, my greatest wealth—I feel so pregnant with riches that I’m not interested in acquiring any more—now I think Kafka was right about the page—Kristin sent me a picture of her fresh baby and I felt grateful that I don’t have one—I sat down to eat a steak salad my boyfriend made for me and we watched a documentary about a man who most likely killed both his wives and then an old episode of Big Mouth because it’s hilarious—and at 11:30pm I put my feet up on the trash can in the kitchen and drank two Bitburger tall boys and we chain smoked and talked shit and laughed and played Clash Royale until my phone died and we went to bed. 
     Writing this, I just realized that, like Gary Shteyngart said yesterday about his new piece in the New Yorker, that I, too, managed to combine the unlikely worlds of hedge funds and Greyhound bus travel. Of Sweden and the Southwest, of novelty and drudgery, activism and angst. Days of beauty and of barely caring. This kind of thing happens when you look at your life in cross-sections. Incongruous bits of this and that. Jarring changes in setting and mood. Bizarre twists in plot, radical character arcs. The way they clash is deeply compelling. The hidden symmetries and accidental harmonies build and break like waves. And a bottle you once flung at the sea comes back to you bearing a message. There is one reason to document: to honor your life. You throw the bottle to sea, trusting you will hear its message one day. When it comes back it will sound familiar, but distant, like an echo or a shell pressed to the ear.

—Melissa Mesku

Melissa Mesku is a software engineer, entrepreneur and writer in NYC. She is the founding editor of New Worker Magazine, The Void, and ➰➰➰.





RYAN KIM

The events of the morning of June 21, 2018 are so tedious I’ll breeze past them to the part of the day I wish to remember in clearer detail. Perhaps “tedious” is a disrespectful word. After all, this is how my partner felt she was treated storming from the Pancake Haus before our coffees even reached us.
     We had a crab dinner at my uncle’s. He bought six discounted dungenesses at the Chinese market which really weren’t that fresh. The meat was floppy and unsweet. But we were happy to all be together, myself and Abi, my brother and his partner, my uncle and aunt, my mother, my beautiful cousin, and a socially awkward newcomer just emigrated from Korea in search of UX work in Seattle. We crowded around the table, elbows knocking as we worked at claws and meaty shoulder joints, grinning over the heads of our white guests. Whenever my brother and I bring home girls (who are invariably non-Asians) my family has the tendency to softly prod in search of discomforts. Having been raised in the desert, it was Abi’s first time eating crab.
     "Fork or chopsticks?" My uncle, the chef, posed before the meal.
     "Uhh," Abi swung her eyes towards me.
     "It’s eat with your hands." I whispered.
     Abi grinned and proudly announced to my uncle with phony twang, "I’m Appalachian people. Hands is how we eat."
     I watched all evening as my aunt quietly slipped extra crab meat onto Abi’s plate (she was slowest at cracking the shells); as my brother put his arm around Abi in the kitchen; as my beautiful cousin tried hard to laugh kindly at Abi’s nervous stories; as my mother—dressed very elegantly, even imposingly—softened her suspicious looks at Abi as the others welcomed her shy offering of herself.
     I’d been quick to anger in the morning, when she stormed away at Pancake Haus. In the corner booth of the restaurant, we whisper fought the ethics of hitting your kids—a staple of my own Korean rearing. I cursed, accusing her of high-horsedness. I seethed as the mostly elderly Caucasian clientele stretched their wilted necks to catch snippets of our interracial couple’s drama. Of course I grasped the value in Abi’s point, "Why inflict pain when you can find a non-violent, a smarter alternative?" But in her tone I couldn’t help identifying the implicit suggestion that her culture was better at raising its children than mine, even if it was completely imaginary.
      I abandoned her in the parking lot, and almost didn’t come back to find her afterwards. We’d been at each other’s throats several times this trip already. This is what happens when two people dating suddenly spend every waking moment together. When one comes to meet the other’s family for the first time after only a short six months.
     Watching Abi flail at the center of my gregarious family, darting her anxious, smiling eyes from inquiring person to person, I perceived all the work she was doing. All the work I was not. I loosened the petty, tightened fist inside my chest, and gave myself a mental spank on the nose.

It’s late, and we’re in my father’s den-turned-bedroom, where I stay summers from graduate school. It’s musty. The adjoining bathroom is twenty years cigarette-smoky. The mismatched furnishings—cold bed, a desk without a chair, aluminum shoe rack, tatty maroon ottoman, empty man-sized gun safe, pencil sketch of a cow’s head—give a strong sense of the room as afterthought. Abi is snoring annoyingly on top of the sheets I aim to get under. To distract myself, I reach for a previously unnoticed photo album on the shelf above. I open it.
     An old photo album, especially when unexpectedly encountered, has the eerie ability to remind you: You are not you. At least it can disrupt the solid sense of your memory as a reliable construct for meaning making.
     In the photos, my family appears to be on a roadtrip. There are frequent shots of us leaning against railings with waterfalls, ocean views, grounded jets, and oxidized, Korean-looking statues in the background. For some reason, I count sixteen photos of just me and my mother clinging to each other in unremarkable doorways. It makes me wonder the reason. I realize how stylish my mom the architect was in her thirties, before her vanity calmed down. She has a high bowl cut hairstyle, and the most blasé sunglasses. Yet she smiles. My brother is three-ish and heart-achingly shy, his eyes make me want to cry. My dad is fatter and happier.
     In almost every photo, I’m making a face. Demon, imp, gargoyle, fiend, gremlin, scamp; these are the moods I pitch at the camera. This is the only part of the album which resonates with my recollection of childhood. Always dicking around.
     I come to a series of four photos which tell a story of my brother and me. We’re standing in the grass with a mountain looming starkly behind us. We’re wearing matching red hoodies, his sleeves droop over his hands. I am a full half-torso taller. In the first photo, I am very nice with my hands on his tiny shoulders. He looks blandly happy. Photo two, I’m starting to pull back his hood; Evan is suspicious. In the third photo Evan is crying, his arms sticking out helplessly, as I tug roughly at his hairline with the flats of both palms. I look very fucking entertained. I remember then, the feeling of younger brother as plaything. How fun a game it was to win his trust, then violate it, then also, I remember the fear and hatred for my father when he whipped me afterwards or slapped my protesting mouth so suddenly I barely knew to scream.
     In the fourth photo, Evan is alone with the mountain, his hands in little fists, his hoodie unzipped, wearing a look of betrayal at whoever was taking the photo who didn’t intervene.
     A loud snort returns my attention to the sleeping girl curled on top of the sheets beside my legs. She shifts a tad and makes a face like she’s having a bad dream. I shut the album, stretching to return it gingerly to the shelf, then place a soft hand on the skin of her thigh. It’s warm. Her face slips back into placidity. Her breath evens. I flick off the lights and find my way back to her in the dark.

—Ryan Kim

Ryan Kim is a fiction candidate at the University of Arizona. He is a 2018 Kenyon Young Writers Fellow.





HELEN BETYA RUBINSTEIN

Around 7:30am it was gray and unrainy. I lay on my mattress on the floor of a dorm room and looked out the window, deciding not to run, because I had run the previous two days. I’d write instead, I thought, but stopped, too hungry for breakfast, after barely a page. By 9am it was raining lightly; by 11am it was storming in a delicious way; at 11:30, when I should have left for the doctor, it was flooding; at five before noon, when I finished some edits and got downstairs, I realized I’d forgotten the keys to the car I’d been planning to ride my bike to, and decided just to bike the whole way.
     The construction on Dubuque terrified me, as it had terrified me on Monday: no shoulder, no sidewalk, and a deep puddle that crossed the whole street. Muddy water shot up around me; I worried about hydroplaning while squeezing my brakes. On Foster, the sidewalk puddles were too deep to bike through. I passed the so-called Peninsula and the dog park. The bump onto the pedestrian bridge clanked my rims. Across the river, more construction. BE NICE! a flashing sign warned, then, TAKE TURNS! I thought of the caption I might write—surprisingly urgent for Iowa—or no, surprisingly frantic, or stern—but knew I wouldn’t post a picture or a caption, because my phone was out of memory.
     Locking the bike to a fat pole under an overhang, noting my fancy raincoat was soaked through, I remembered the time hospital staff had prohibited me from parking my bike anywhere other than a faraway rack, and I’d nearly cried. I remembered the time I couldn’t figure out how to get out of Ophthalmology, and how, behind the disposable sunglasses I’d tucked behind my actual glasses, I had cried. Now I imagined asking for a towel inside. If they said no, I thought, I’d cry, and if I cried, my crying would be ridiculous, self-inflicted just like those other times.
     No, the receptionist said, they didn’t have a towel. What about paper towels, I tried. Um… in the bathroom, she said. I took off my sandals and turned them upside down in the waiting room, then walked barefoot into the bathroom and squeezed the cold water from my dress into the toilet. It seemed weird to lock the door while I did this, so I didn’t lock the door. It seemed wrong to waste paper towels, so I used just one to wipe my legs, the brown kind so thin it falls apart when it’s wet. I didn’t cry.
     Within ten minutes I was naked from the waist down, dress bunched up and cold under my back. I’d done ultrasounds before, years ago, but I’d forgotten the particular terror of letting a stranger see a part of myself—the insides—that I can’t see and don’t know how to read. She asked if I took birth control and I asked why she was asking. I like to ask, she said. Then she pointed her wand at my cervix, said, This is your cervix. This is your uterus, she said. I’m measuring your lining. This is your right ovary. Now I’ll get your left. Oh, she said. I wonder if you just ovulated. Do you feel any pain when I do this? I’m trying to see around your bowels, she said. There’s nothing emergent, so you’ll hear from your doctor in a week.
     It was over quickly, and outside it had stopped raining. The air was soft. There was my bike by the door. I wiped the seat with a lumped-up napkin from my backpack, feeling pleased I’d saved it, and decided to visit Trader Joe’s. The truth was I was excited to go in, I thought of it as a treat, though I’ve avoided the chain as a matter of principle since 2007. Too noisy with text is what I usually say (like being inside a commercial; the walls are screaming), meaning that the packagedness of even the vegetables, the tireless profusion of marketing, the approach to food as food-concept—all of it offends me. Still, I’d been craving a bag of mango-pineapple-macadamia trail mix for more than ten years.
     They no longer sell that trail mix, it seemed, but the news wasn’t so disappointing: it meant I had even less reason to ever return here. I lingered in the trail mix aisle holding a package of fruit-and-nut disks, date-hazelnut-cacao, wondering if I should buy them as desserts for my July hiking trip, if they were too heavy or if their packaging was too bulky, then deciding my sister, who lives near a Trader Joe’s anyway, might prefer another flavor instead. I searched for unsweetened chocolate bars and found only unsweetened cocoa powder, three dollars for an amount that usually costs six dollars if not eight. Not all baking cocoa is created equal, the package says on its side. (It would turn out to taste as though it had been mixed with baking powder.) I bought some nuts for nut-pricing’s sake.
     Outside, I ate a banana I’d taken from the dorm cafeteria that morning and Googled “black hole ovary,” then “ultrasound ovary normal” and “ultrasound ovary cyst.” The pictures that came up were too varied to have meaning. I called the blood donation center and asked if I could donate blood even though I’d had a tetanus shot in the last two weeks, and when they said yes I asked if there were blood drives anywhere other than the hospital. Not until July. It was drizzling, and now it started to rain hard. I put my phone in my damp raincoat pocket and began the needly ride home. In front of a Days Inn I said Fuck when a man almost took a right turn into me. On Dubuque I took my time through the muddy puddle, a line of traffic behind me, and yelled What the fuck! when I saw that a construction truck was blocking the first available entrance to sidewalk. I thought I might write a letter to the city, protesting the lack of sidewalk along that stretch of almost-highway, then wondered how much time that would take away from all the other stuff I want to write, and all the other letters to the city that should be written and read.
     Upstairs I peeled off my dress and raincoat and underwear and hung them up and showered, water hot, but didn’t wash my hair. Then I sat naked with the door locked and curtains drawn and wrote in the afternoon dark, parting the curtains every now and then to check the puddles, the easiest way to see if it was still raining. It was. I was hungry for five o’clock dinner and restless afterward. I might want to go to the Prairie Lights reading, I told A., and she asked me why. It could be useful for my project with N., I said. M. texted and said the scene was sad, hardly anyone there, the audience half campers. I walked over, imagining that the tops of my femurs were massaging the part of my belly that was swollen from bowels or uterus, and arrived fifteen minutes late. The reader looked at me for a long beat, making it clear he had seen me walk in and wanted me to stay. Never do that, I told myself—Never make someone who walks in late to a reading feel seen—but later I thought it might have been an effective sales strategy. The reader wasn’t reading; he was talking about his life as a gay man who’d come out late. Now he was in his seventies and had been out for thirty years. As a teenager, he said, his “man-boobs” had given something away about him that he hadn’t wanted given away. I wondered what a period gives away, and began to take notes. Secrets need to be lanced. Thought I had to do drag to fit in. I looked in the mirror and I saw my mom. Vulnerability is a path to courage. Conflict is a path to growth. Having a period as a hiddenness, coming out. When he opened the floor to questions, teenagers kept raising their hands and saying, as a start to their questions, I’m gay. I’m gay and I’ve been out for two years and I want to know if you have advice for finding love. He told the story of his first boyfriend, who’d picked him up in a locker room and shown him his erection in a bathroom stall, how he hadn’t expected love from the encounter but love had happened. I thought to myself, this answer is great.
     M. and I walked back to the dorm. Someone looked at my ovaries today, I told her, and when I tried to describe the unpleasantness of lying there watching someone see things in you without knowing what they’re seeing, she knew what I meant. It was cold in the dorm lobby. We tried to hold a game night but no one wanted to play. We started playing ourselves, but then M.’s dog came over and we sat on the floor with it and said, We should sit on the floor more often. I went upstairs a little before 10:30 check-in. P. asked if they used saws for open-heart surgery in the seventies. all my raindrops in the puddle, I texted the counselor group, lying on my belly on the mattress on the floor, thinking I’d fall asleep early. S. instructed M. and M. to up their metaphors. I opened my computer to shut it down but started searching for campsites for July and then it was 11:30. In bed I finished R.’s book, shut the light, and lay awake for a longer time than I have in months, wondering why I was awake and then knowing why, seeing and re-seeing those images of hidden parts of me, parts I can’t understand.

—Helen Betya Rubinstein





CAITLYNN MARTINEZ-MCWHORTER

It is raining as my mother and I turn onto the long gravel drive littered with dead tree limbs. I have to get out of the car to move them so they do not scrape along the bottom of my low Civic. June 26th is a dreary day, lending to the house’s instant personification. This house is sadness. It is hopelessness. It is acceptance.
     My realtor meets us at the door. He is young, and awkward, and omits a false “niceness.” I sense he is the type who is well-versed in passive aggressive maneuvers. Showing me this house, today, is one such tactic. This house is in my price range after a recent price drop. It meets the requirements I have for lot size, bedrooms, bathrooms, and basement. However, this house is in disrepair. It does not have flooring in a third of the rooms. The ceiling in the main living room shows signs of water damage and leaks. My realtor wants me to reassess my standards. He hopes seeing this home will cause me to abandon my already few minimum requirements.
     I text the man I have recently been “seeing.” He lives three hours away (and four states). Our “relationship” is new, undefined, but casual at best. He frequently voices his distrust of marriage, and his dislike for children. He is negative and jaded about almost everything; yet, I’m intrigued by him, so I pretend those two things, things I want very badly, are not necessary. I text him: “House hunting is a lot like dating. I’m told my very minimal standards are too high, and I’m impractical.” He responds: “Very true.”
     The house has seen an addition built over the garage, and another in the opposite back corner. There are pockets of house that seem to appear out of nowhere. When you enter into what resembles a walk-in closet of one room, there is a door that opens to stairs which lead to another room. Several of these rooms do not even have drywall, and many look as though they haven’t been touched in at least a decade. I’m disoriented as I try to find my way back to the main section of the house, and use the light of my cellphone to guide me.
     As I stand in the main living room and look up at the huge cathedral ceiling with gorgeous exposed cedar beams, I am struck by the realization that this house was once really something. The remnants of décor scream 70’s. I can almost imagine the main room being filled with swanky men and women wearing bell bottoms. I’m brought back to a scene from Boogie Nights where Roller Girl skates around guests at a house party.
     I enter the back wing of the house, which is one of the other additions. It consists of a large bedroom and a second bathroom. I nearly gasp when I see the only piece of furniture left in the entire house. It is a metal hospital bed. A bed like this is all too familiar to me and my mother, as we acted as caregivers to my grandfather just a year earlier as his dementia worsened and he was placed on hospice. I knew from the tax information that the owner of the home was a senior. Her name was listed also. She must have lost her partner in this room, though taking care of them until the end, the way my grandmother had cared for my grandfather. There is a sinking feeling in my chest, and I leave the room to find the last section of the house I have not yet explored.
     After opening several doors which turn out to be closets or pantries, I finally find the entrance to the basement. There is no light, and I once again use my phone flashlight. My mother and my realtor follow. We cannot step too far off of the last stair, as an inch of standing water has collected on the concrete below. From my perch on the last step, I can see a washer and dryer placed on high wooden blocks. The unfinished basement has always been a great symbol to me. Where I grew up, this symbol was one of the middle class and the “American Dream.” New families bought homes with unfinished basements, with intentions of one day finishing them. They held onto dreams of what these basements could become. A home gym or rec-room? An additional family room? A home studio? A children's play room? An extra bedroom? Of the unfinished basements I knew as a child, most remained unfinished. I knew that these remained unfinished because other expenses always arose, but part of me wondered if the homeowners didn’t secretly intend for this. By postponing the renovation, the basement can still be all of those things one wants it to be. It is the real-estate equivalent of Schrodinger’s Cat. The dream is more important than the reality.
     I think about this as I look for my first home as a single woman. There are obvious reasons for buying which include building equity, having a sense of permanence in one's living situation, and no longer needing to pay rent. However, I think what makes the process so urgent, and so important, is something altogether unrelated. I realize I only want to buy myself an unfinished basement. I want a home to act as the blank screen to project my dreams onto, regardless of whether or not they ever come to fruition.  

—Caitlynn Martinez-McWhorter

Caitlynn Martinez-McWhorter is a Lecturer at University of Wisconsin-Waukesha and UW Colleges Online. She once spent over $5,000 in vet bills to repair a pigeon's butt, is the voice of a popular children's toy, and has potty trained a wombat. 





SUSAN BRIANTE

Midsummer Day 

1.

I wake from a dream I do not remember, hear the last bars of a song before the station ID and the news of the new Executive Order in which we have no faith. The local reporter explains she waits outside the immigrant child detention center to speak to someone. When the police come, the women reporter tells us she asks the officer to ask questions for them. She reports the police have not been able to talk to anyone in the facility either. These days silence seems as important as the information we may or may not receive. Unanswered questions, unsaid words, carry their messages like shadows: halfmoons in the mesquite’s shade during the eclipse with which I began the first day of classes last year. 
     I shower. My skin dries, my hair curls in the drought air. When I cut off a string from my black t-shirt with the metal scissor I took last week from my father’s desk, which was once his father’s (the heirlooms of the working class), I remember a dream from last night in which I unpacked my suitcase and found three such scissors (black metal, worn, old) and knew I had taken too much from my father’s house. In my family, this is an old story.


2.

In the coffee house, the air conditioner hisses like a band of cicadas, and the white boys stare into their laptops. The man reading Anne Rice mouths the words to the song “Nowhere to run to…”
A woman with the long brown hair on the leather chair leans in toward her friend who is talking. 
     The astronomer from the documentary Nostalgia de la luz tells us that because light’s lag moving across distance, we are always looking into the past.
     It’s 10:44 am. I have answered several emails. I text with friends: one in the DMV in Dallas trying to get her license renewed after it expired during her chemo; another in a hotel room in New York questioning the limits and contours of her marriage.
     I call my 87-year-old aunt who, until last week, had been my 80-year-old father’s main caretaker when he grew sick last year. She says she went to my father’s house today, took the walker that my father was using because she is thinking about her future. Everything we do or say is time stamped. 
     “The visible is thick, but it can always be got through,” writes Brenda Hillman.
     Last week, when my father was dying in an emergency room across the country I lay very still on my living room couch with my arms folded across my chest (as if I had died, were dying as well), and I told my father (silently and across a vastness) that I loved him and I forgave him and I thanked him and he was not alone.


3.

In the coffeeshop they play The Marvette’s “Destination Anywhere.” It’s 1:18. Farid joins me for lunch: eggs and ham over kimchi. We talk, check emails on our phone: models for the possible, places we might go. The temperature rises to 102, won’t stop until it gets a few degrees higher. The Dow closes down 24,461. Global stocks fall with the U.S. dollar. A crack on the floor stretches toward my table. Farid leaves. Another song. And the woman with the straight brown hair and her talking friend have gone.
     If we witness our lives through a hole shaped by our prejudices and perceptions, I witness today through a hole in the shape of my father, in the shape of the life of man who is no longer here.
     Sophia’s poetics essay recounts the journey of the Voyager spacecraft: “We were throbbing, grasping at the wrinkled edge of our own limits.”
     When I sit in the radio studio, the air-conditioner makes a sound like thunder from a far-away storm.


4.

It’s 5 o’clock, but the streets feel half drained. On the east coast, it’s 8 pm: the time I learned to call my father after he started going to bed early because he was always tired.
     My house is empty with not calling, so I try Farid at a roller-skating birthday party with G. While pop music jingles in the background, I tell him I don’t want to lose you.
     The Buddhist reminds me the glass is not half empty or half full, but always already broken. The universe is expanding. A pot of water boils on the stove.
     After dinner G practices Kung Fu, takes a shower, let’s me brush her wet hair as she hangs her head off her bed while her father reads Harry Potter and the Deathly Hallows. Mrs. Weasley tries to discourage Ron, Hermione and Harry from going off in search of the horcruxes instead of going to back to school. And this is what we do as parents: retell the story, try to keep our children from danger. And when no parent hovers above us? A kind of loneliness and freedom? A release and absence?—Not yet for my daughter who asks her father after he’s closed to book to sit with her in the dark of her bedroom a little longer.


5.

After G edges to sleep, I make her lunch. I read the section in Nanni Balestrini’s Blackout about the 1977 New York City blackout and uprising. All over the country this week, people have been assembling inside and out, all over the country a series of detention centers for people who have made an impossibly desperate journey from worse to worse. In the coffee shop earlier today, I wondered whether or not there was a movement to demand my university divest from the prison industrial complex, and I wonder for a moment when I will look in it.
     I catch a glimpse of the sapphire sky, still white gold at the horizon like an old wedding band. If my broken toe did not hurt I would run out into the longest day’s last light.
     Instead, I slip into bed where we watch the video from The Carter’s new single on F’s phone. Farid says his favorite part is when on a staircase in the Louvre in front of an angel statue, Beyoncé whips the skirt of her dress into wings.


6.

In the dream, Farid and I drive in a convertible, maybe near an airport, because big concrete planters line the road. I turn to the right, look down the street. The space shuttle ascends like a plane taking off with a fiery engine glow. 
     Instead of white, it’s navy blue.
     Instead of “USA,” it’s marked with the words “American Airlines.”
     I implore Farid to look. The spacecraft rises slow toward an unknown destination into a blackness pin-pricked with light from a past that will never return to us.


—Susan Briante


Susan Briante is the author of The Market Wonders (Ahsahta 2016). She teaches in the MFA Program in Creative Writing at the University of Tucson. She is the daughter of Rosemarie Briante (1937-2014) and Nicholas Briante (1937-2018).





SAMANTHA JEAN COXALL

Sometime around 6:30 a.m. I find myself standing in my apartment complex’s courtyard as the dog sniffs and mouths at the ground, searching for the yellow mesquite pods that he enjoys crunching between his teeth. It’s been at least ten minutes of this. I tug his leash and finally, blessedly, he lowers his hind legs into a squat and wets the dirt.
     Back inside, consider slipping back into bed. On a normal day, I’d do just that and lie sprawled on the cooling sheets, dog curled against my side, pink snout snuffling into my armpit until the sunlight through the window burned just a little too hot. But I’m five days deep in a summer cold and comfort is quite elusive these days, so I forgo the lie-in in favor of a cup of tea which is really just a vehicle for coating my throat with a quarter of a bear-shaped bottle of honey. The dog licks at my bare feet as I move through the kitchen.
     I recently bought an herb garden kit from Target and the four metal tins sit on the single sunny windowsill next to the kitchen sink. In the store I had imagined that the type of woman who keeps an herb garden is one whose laundry moves swiftly from machine to dryer to closet as opposed to it sitting in limbo in a basket blocking the hallway. This woman probably does Pilates in the morning and makes blog-worthy meals with (fresh, not frozen) vegetables. The easy domesticity of tending to my own garden enticed me. It seemed like a quick ticket to feeling more like a full-fledged adult, as if the rather low-stakes responsibility of raising a couple of seedlings from flat earth was all I needed to do to in order to cast off all of my bad habits and immaturities. Plus, all of my friends take care of plants and I wanted to be like them.
     Check the soil in each tin with a finger while the kettle heats. Only two of the four herbs have sprouted, though I don’t know exactly which ones because I neglected to label any of them. I hope one is cilantro. I have a store-bought bundle of it slowing rotting in my fridge. In one of the tins, the pale green shoots fall limp and budding leaves tangle together. I try to gently pull the stems from each other like I might do to untangle my own knotted hair, but my touch only causes the stalks to snap. Quickly give up and mentally note this as a problem for a later date.
     While I am sipping weak tea, my father drops off a variety pack of sports drinks from Costco that he picked up for me on his way to see my sister and her baby. We don’t hug for fear of my germs hitching a ride on him but he pats the dog as he leaves.
     Sort through some drawers. For weeks now I’ve been attempting to sift through the five years’ worth of odds and ends that I’ve accumulated since moving into this apartment. I find it hard to throw things away these days, entirely too afraid of tossing out something with a secret significance that I can’t yet see, and I curse past me for not binning the bulk of these unneeded belongings before the distinction between trash and treasured memory became so blurry.
     The reason for this reluctance to let go is that there’s not a single space in this apartment that doesn’t bear the mark of my mother who died suddenly in April of last year. She assembled the furniture and painted the walls mossy green and hung up the geometric paintings that I’m not particularly fond of. I can’t convince myself to take the paintings down and replace them, but I’ve switched their places. As I move through the rooms, I find the ghost of her in the little things that she left behind. Printer paper patterned with notes written in her tight scrawl. Clothing borrowed from her closet that I didn’t get the chance to return. I have no real need for these, but how can I pack them away into black garbage bags and not feel like I am losing something sacred? This I agonize over as I pick through a storage cube of binders.
     I throw away a couple of spiral notebooks because the pages almost reek of teenage angst and decide to break for lunch. I drive too far to a Hawaiian restaurant and order curry and rice to go. I feel sheepish doing so, as I imagine that I am the only person who could walk into a place advertising lush salads and rice bowls piled with vibrant, fleshy fish only to order curry on such a scorching afternoon. The hostess tells me to be careful not to tip the container, but I’m not careful and it goes flying out of the passenger seat at the first left turn I make as I drive back home. 
     I eat sitting on my living room floor and push the bowl to the middle of the table where my dog can’t reach.
     Resume cleaning. I play a comedy podcast hosted by a man whose father wrote a series of absurd erotic novels. Each week the host reads a chapter while two cohosts chime in to point out the moments when the prose is painfully unsexy. It’s easy to laugh. There’s no method behind my movements. I drift from one room to the next, often leaving stacks of half-sorted mess that I’ve deemed too mentally distressing to take care of at that moment. I find another card signed by my mother. My fifteenth birthday. I snap a picture of the note inside and hang it on my fridge. I need more magnets.
     At some point late in the afternoon, I realize that my reluctance to throw anything away is born out of a desire to memorialize this space. To leave it exactly as it was when she last walked the same hall and breathed the same air. My life has split into two parts: when I had a mother and when I didn’t. I am reluctant to let go of “before”: before the death and before I knew the acidic burn of grief. I don’t want to leave my mother in the past.
     Too many days inside has me feeling restless. The dog feels the same. I can tell because he stares at me with his wrinkled face from the mat in front of the door. He looks like an old man. I know he wants to roll in the damp grass, feel wet sunshine soak into the fur of his back, but his allergies are acting up. His nose has been dripping all day. No romping in the grass, then. I meet his stare (as best I can—he is walleyed) and hope that my that my face reads to him as sympathetic: I’m sorry, but this is for your own good. To ease my own guilt, I take him for a ride in the car. 
     As we return home, my friend calls from San Francisco, where she is walking by the Painted Ladies on the way back to her hostel. I sit cross-legged in the middle of the carpet while we talk about writing and burritos.
     Feed the dog kibble that stinks up the room like salmon. Feed myself reheated leftover curry. I run a bath too full and too hot and sink down into the water until my skin can’t stand it and the dog is impatient with the want to touch me. His need for my company despite my current state of stagnancy makes me emotional: oh, how I love this frog-faced little creature that shares this messy home with me. I lie naked with him on the couch where he falls asleep while I watch a cooking competition on television. At 10:30 p.m. I scoop him up under my armpit and carry him to bed. We curl up together, my fingers feeling for the thumping of his little heart. The air conditioner kicks on and I breathe in the cool rush of air, holding it in my lungs, thinking of dead herbs and birthday cards.

—Samantha Jean Coxall

Samantha Jean Coxall is an MFA candidate in fiction at the University of Arizona. She writes about spooky forests, family tragedies, and Bigfoot sightings. She lives with a deaf French Bulldog. 




PATRICK COLLIER

From the clock-radio, a female newsreader announced, “President Trump held a rally of his supporters in Duluth, Minnesota.” A crowd chanted in the background.
     “Every time he needs an ego boost he holds a rally,” she said, her eyes still closed.
     I went to my study to check the window screen. Two wrens had been building a nest between the screen and the window. They had been getting in through a bird-sized hole in the screen. I’d blocked the hole by wedging a picture frame against it.
     Nothing had moved since yesterday.

We walked in light rain to the car, carrying bags—each of us a small bag of clothes and a briefcase with a laptop, notebooks, things.
     On the interstate, a flatbed truck carried large plywood boxes, belted to the bed by thick straps. It splashed spray on our windshield and veered slightly into our lane to avoid a breakdown where the highways split.
     She drove. I munched a chicken sandwich and sipped coffee from a thermal mug.

At the airport, I peed and got a New York Times. The lead headline read: “In Retreat, Trump Halts Separating Migrant Families.” A sidebar headline beneath declared,
Incivility Infests
Divided Nation
In Era of Trump.
     Also above the fold: “Whites a Minority in the U.S.? The Transition is Accelerating.”; “Economic Surge Gives President More Firepower in Trade Battle.”

On the jetway, one man in front of me wore a short sleeve, button-down shirt festooned with sharks. The man in front of him wore a short-sleeve, button-down shirt festooned with cacti. The man behind them wore a shirt advertising a brew pub. The woman behind them, her hair done in tight corkscrew curls, wore a flowing, beige t-shirt dress.
     Boarding, I snagged my bag’s strap on a first-class arm-rest walking by. A seated young man freed it for me, but his look when our eyes met seemed hostile.

I sat by a window in a row of two next to a man with short cropped grey hair, middle-aged (like me). Neither of us are broad-shouldered, but still I pulled my arms and shoulders inwards and kept them that way.
     I dropped a pen as I was situating myself (reading glasses, notebook, book, highlighter, pen, all from the flapped compartment on the back of my canvas brief case). He caught the pen as it bounced on the edge of his seat and handed it to me.
     Later, I noticed the smell coming from him—faint but clear—indicating heavy drinking last night.
     But I felt grateful to him for catching my pen.

In Atlanta, having missed our connection, we got quick and courteous help, got re-booked.
     She got on her phone to revise our rental car order and was told the car would now cost $500 for two-and-a-half days. We did some quick not-quite math: hours lost or saved, expense.
     We went back to the desk and re-booked again, helped by the same woman, a black woman in her thirties, carefully made up. Again, kind, in focused good humor, courteous, quick. “Sorry again guys,” she said as we walked away.

Four hours to kill. We wandered, looking for a good place to sit and work.
     In the Plane Train, in the corner, a middle-aged man and woman, he with his head shaved and wiry arms heavily tattooed, she in a cold-shoulder blouse and short shorts, kissed and clung to each other.
     Four seats down, past the doors, a young Latina airport worker stood behind a borrowed wheelchair in which a white woman sat. The woman in the chair wore a flowered blouse and black slacks, her wide sunglasses pushed back on a mop of dyed, rich brown hair, cut in bangs.
     The woman behind the chair scrolled through her phone. She wore a purple shirt with the slogan, “Another day in Paradise.”

I sipped a cappuccino and wrote this, my laptop perched on the corner of a wooden café table to make room for hers, our screens just about touching.
     The Atlanta airport has good wifi. The internet told me there are seven species of wren in Indiana, all of them insectivorous.
     The internet told me the Plane Train is really what it’s called. Capital P capital T.
     I opened up some resumes and started a spreadsheet and worked.

In an airport seafood place, we ate crabcakes and talked about a baby present. The baby and his parents will be showered with toys, books, and baby things. Should we set up a 529b? A trust? Savings bonds?
     I peeked over her right shoulder, looking for World Cup scores.

In the bathroom, the ambient music—characterless smooth jazz—was loud enough to rise to the level of consciousness. I waved my hand to activate the automatic faucet.
     Outside, a young man leaning against the wall pointed to the spot next to him and said, “Here, bruh.” He seemed to be looking at me, and for a second I thought he wanted to sell me something. Then I realized my mistake and stood, looking up and down the concourse, noting how clean and bright the space appeared.
     This triggered memories. The airport in Dubai, with the look and feel of a casino merged with a high-end mall, with beautiful women spraying perfume. And, years ago, a student from Kyrgyzistan describing his route home from the U.S., expressing his preference for flying via Athens rather than Moscow. “In Moscow, the airport is full of people who want to rip you off.”

Beyond the tall windows, outside the air-conditioned bubble of the airport, it clouded up, rained, cleared. The sun shone on jetways and fuel trucks and baggage carts, casting shadows.

Are wrens migratory? I wondered.
     The internet told me that some migrate and some live year-round in the deep southern U.S., Mexico, and Central America. The migrators winter in the upper south and fly north to a breeding area that begins in Kentucky, just south of Indiana. On the map, the breeding area was red; the band they migrate through—a narrow strip extending from north Texas and Oklahoma through the Carolinas—was yellow.
     The internet told me that wrens like birdhouses, are “remarkably tolerant of human behavior,” and are passerines—perching birds.
     This confirmed what I had seen.
     A window screen with a bird-sized hole in it would present itself as a kind of birdhouse.
     Yesterday, when I was scooping out the nesting materials and putting them in a garbage bag, one of the wrens sat in the branches just a couple feet away and chirped angrily at me.
     Later, when I had covered the hole, the bird returned periodically and stood up on the screen, its little passerine claws threaded through the holes, and looked around, quizzically.

Back on the plane, I read, retreating into a bubble of my own.
     In Eric Bulson’s Little Magazine, World Form, I read, “Modernism’s magazines, where so many writers were published, were subject to the laws, timetables, and business practices of transnational movement; some of them stopped dead in their tracks, but this provided, in the end, different strategies for interactions between magazines which, in turn, influenced how certain works could and could not travel the world.”
     In Philip Roth’s Everyman, I read, “The diamond merchant who came most frequently, and whose migration route had carried him and his family in only a few years from Warsaw to Antwerp to New York, was an older man dressed in a black hat and a long black coat that you never saw on anyone else in Elizabeth’s streets, not even other Jews.”

I pulled out the New York Times and did the crossword puzzle. Thursday puzzle: medium hard.
     Twenty across: _____ flu. Answer: “Asian.”
     The airplane flew from the wren’s year-round zone through its migration zone and back into its wintering zone.

An elderly woman with a mane of white hair, waiting for the bathroom beside our back row, started a conversation. “Are you going to Allentown? Are you from Allentown? I’m just visiting, in Wind Gap. I’m from Florida.”
     She wore a white top and a long beige skirt. When she passed by, a faint scent suggested she was wearing an adult diaper.

We descended through turbulence. My sinuses ached slightly from dry air and the pressure change.

We carried our light overnight bags and heavy briefcases through the small, dumpy regional airport. The carpeting had an alternating pattern of checks and solid color blocks, all in the palette of faded jeans.
     In the rental car line, one party stood in front of us: an Asian man in his late 60s, perhaps, and a young woman, maybe his daughter. She spoke to the rental car clerk and translated for her father. The rental car clerk was a round-faced young woman with brown hair and sharply drawn eyebrows; a long brown cardigan was wrapped around her shoulders.
     The father and daughter were wearing jeans. The blue of their jeans was much richer than that of the carpet.
     They had come, not from a flight but directly to the airport, to look into renting a car for him for two weeks in July. A long discussion ensued about how it would be paid for and the merits and costs of various levels of insurance.
     I thought, the young woman could do all of this on her phone, but I’ll be patient.
     My wife said, “I’m not counting the minutes.”
     In halting English, the man said to the clerk, “How much with insurance again?”
     The clerk answered, and my wife mouthed along, “One thousand one hundred and ninety nine dollars.”
     I thought of the Richard Brautigan story “Complicated Banking Problems.” The narrator goes into a bank to cash a check for something like six dollars. Every customer in front of him in line has a strange problem that necessitates long consultation. One has a bird on his arm that he wants to deposit in the bank.

Outside, in the fresh air for the first time in ten hours, the sun shone on the nicest day I’d seen in more than a week. It felt just slightly warm; wispy clouds alternated with pale blue in the sky.
     I drove our rented Corolla through a moderate Allentown rush hour, swerving with the freeway through construction zones.
     Her phone told us how to get to the house, leading us through residential streets lined with mid-century brick houses with small, neat yards.

We hugged and kissed our niece, the new mother. The baby, enjoying his sixth day outside the womb, slept in a souped-up infant seat with a motorized base that was moving him in a soothing, swaying, side-to-side, up-and-down pattern. His left fist was pressed into his face, scrunching up his features.

We sat on the couch and took turns holding the baby. He was born two weeks early and is small. I noted that his little forearm is the length of my index finger, his little foot the length of my thumb.
     I stroked his feet and his limbs and his belly. I lightly stroked the fine down of his blond hair. The ridges of his skull plates jutted slightly, making a V behind his forehead.
     He slept on, occasionally putting his hands on his head and face, giving him the look of an agitated old man.

Our niece’s is a household in which the default is for the TV to be on, with the sound low, often with no one watching.
     Now the evening news was on. A Texan in a cowboy hat was saying that immigrants come into our country illegally and create a burden on our taxes. “Schools, medical care, everything.”
     I gently squeezed the baby’s little foot.

We hugged and kissed my sister-in-law, the new grandma.
     Our niece, who had a difficult labor and a c-section, was feeling better for the first time since the delivery. She talked, telling us everything that happened. She described the pain of labor as a combination of burning and the need to “take a huge dump.” She described the feeling of having the baby pulled from her. She described them placing the baby on her chest, her arms strapped and tethered to IVs, unable to hold him.
     She talked more in the three hours we spent at her house than she had in the twenty-eight years I have known her. She was relieved and feeling better physically and on a very low dose of Percocet.
Her husband flitted in and out of the room, sitting for periods, then getting up and tending to things, putting things away. He’s handy and hard-working, even when he’s at home. When we pulled up, he had been installing a new latch on the gate outside, fiddling with electric drills and bits.
     On the TV, a graphic read “Police Shooting Protests.”

We hugged our nephew and his wife, the new uncle and aunt, she herself four months pregnant. They came in bearing trays of food and a plastic drum of cookies.
     Food arrived from an Italian joint: a pizza and meatball parm sandwiches and calzones. The new uncle held the baby while everyone else went back and forth to the kitchen pass-through, filling plates and plastic cups.
     We debated eating outside. The new mother said the baby shouldn’t be outside for a week, to avoid environmental toxins. The new father said, “Are you kidding me? Babies have been outside for thousands of years. Babies used to be born outside.”
     The new aunt/expectant mother said, “Yeah, and a lot of babies used to not make it to adulthood.” Everyone laughed.

Everyone talked about the night of the birth; they had all been in the waiting room while the new mom pushed and suffered and had surgery. They described the waiting, and the awkwardness with the soon-to-be-new grandfather, who is long-divorced from the new grandma and estranged from his son (the new uncle).
     The new mom described again the pain of labor; she described the night her water broke, puttering around the house for a half-hour before waking her husband.
     Her husband described the sight of the C-section, the doctor and nurses manipulating his wife’s innards, repositioning them once the baby was out.

People started yawning.
     We took turns holding the baby. The new father and the new uncle/expectant father talked about the relative merits and costs of baby surveillance devices.
     The new father talked about travelling to Greece next spring; discussion ensued of the practicality of bringing the baby—and bringing along the new grandma, to help with the baby. The new grandma detests flying.
     We hugged the new uncle and aunt/expectant parents, and they left.
     Those of us left behind yawned more, and more frequently.

We drove 10 blocks, through silent residential streets, to the new grandma’s house, where we were staying. Inside, I was nodding on the couch in less than five minutes.
     We carried our light overnight bags and heavy briefcases upstairs to what used to be the new mother’s bedroom, when she was a child. A poster hung on the wall, a photo of a mother giraffe kissing a baby giraffe, above the legend “The first kiss.”
     We lay down in twin beds pushed together. I fell asleep clutching her arm.

—Patrick Collier

Patrick Collier is Professor of English at Ball State University and director of the Everyday Life in Middletown project.





Check back for more dispatches from June 21, 2018 tomorrow. —Editors