Like fellow Midwesterner and incredible essayist Sonya Huber, I loathe the harmful writing advice of “show don’t tell.” Yet, I am also a writer born and raised in the Show Me State. While Missouri is steeped in Southern front-porch storytelling, the Middle West’s characteristic pragmatism, understatement, and complicated* past and present are perpetual in our prose. We want it both ways: to show and to tell, to be Southern and Midwestern. Ultimately, there’s a certain resilience and toughness Missouri essayists must harbor because we can’t assume you, dear reader, share our points of reference or understand why we stay or live in this place, however long. Ultimately, though, describing what others do not know or have the words for makes for wilder, more inventive stories. The Missouri essayists in this project share the very Midwestern joys and terror of what it’s like to be in a state with “no particular place to go.” What constrains and releases us may surprise you.
Missourians: we'd love to have more essays riffing and rumbling on the #Midwessay! Contact me at michaella.thornton at gmail and I'll be happy to include your thoughts and insights in this project.
* And by “complicated,” I mean openly racist, homophobic, transphobic, sexist, ableist, xenophobic, and more. We have a lot to unpack and improve on here.
Kate Carmody is a recipient of a CINTAS Foundations grant supporting artists born in Cuba or of Cuban descent. Her work has been published or is forthcoming in Potomac Review, No Contact, Los Angeles Review, The Journal of Compressed Creative Arts, and Lunch Ticket, among others. She received her MFA from Antioch University in Los Angeles. She teaches writing courses at Antioch and Austin Bat Cave. She lives in Denver, Colorado, with her husband and dog. The three of them are in a band called Dadafacer. Find her on Twitter @KateCarmody8 and Instagram @carmo8.
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